Sukkot – fulfilling our basic needs and reminding us to look further

The two mitzvot associated with the festival of Sukkot can be found in the book of Leviticus, chapter 23. In verse 40 we are told “On the first day [of the festival] you shall take the fruit of goodly trees, branches of palm trees, boughs of leafy trees and willows of the brook…..”. These are the four species that we today know as the etrog, lulav, myrtle and willow. The rabbis taught that we hold the four species together and wave them in all of the directions of the compass, as well as upwards and downwards. In this way, we mobilize the winds that blow from all directions to bring rain for the new season of sowing and harvest.

Then in Leviticus 23: 42-43 we read, “You shall live in booths [Sukkot] seven days; all citizens in Israel shall live in booths, in order that future generations may know that I made the Israelite people live in booths when I brought them out of the land of Egypt…..”.

So what is Sukkot about? Is it a harvest festival of thanks towards the end of the agricultural year, or is it a theological festival of reminder of our history and unrootedness? Is it a about richness and plenty in the land in which we live, or about fragility and vulnerability and a sense of mobility? How do we allow it to be about both – plenty and fragility, rootedness and journeying?

To begin to understand it, we can look to Rabbi Yitz Greenberg who contrasts Sukkot with Pesach. He points out, “Pesach celebrates a single, intense moment of freedom in the life of the Jewish people. At the exodus from Egypt, the divine erupted into human experience. Pesach is therefore a season of miracles. At the exodus the people were required only to take the first step, and God did the rest.

Sukkot, on the other hand, does not celebrate a moment of miracle, a moment when ordinary time ceased. On the contrary, Sukkot calls to mind a protracted period of wandering, of marking time. At Sukkot God is, as it were, hidden in the everyday. Sukkot reminds us of 40 years during which the people Israel had to deal with the basic requirements of everyday existence: water, food, the clothes on their backs, the roof over their heads. “ (The Jewish Way)

Greenberg’s insight is that these two festivals, Pesach and Sukkot, are two sides of the same coin. As human beings, we seek moments of “divine rapture”, moments that take us out of time, beyond the everyday. Such moments deepen our spiritual appreciation of life; they give us a sense of God’s grandeur. But our reality is that we spend most of our lives journeying through uncharted territory, facing the everyday demands that life places upon us, and a long distance from any moments of certain and wonderful encounter with God. Our daily life is routine, it is a constant struggle to keep up with what needs to be done, and our prayers are also to some extent routine and regular rather than heightened by awareness of God.

Just as Pesach and Sukkot represent two sides of the same coin of connection with God, so they fall at opposite ends of the Jewish year: Pesach on the 15th day of the first Hebrew month (Nisan), and Sukkot on the 15th day of the seventh month (Tishrei). Our lives revolve around these two poles of the Jewish year, which represent our longing for the miraculous, on the one hand, and our everyday experience of reality, on the other.

The two mitzvot of Sukkot focus on the basic needs of everyday life: water (represented by the waving of the four species) and shelter (represented by the sukkah). At Pesach, when we recall how the natural world was overturned and slaves became free, it is easy to acknowledge the impact of the divine on the life of our people but Sukkot reminds us that even in the absence of such dramatic moments of miracle, God is still at work in our lives and can be encountered in the everyday, the natural world, the regularity of fulfilling basic needs and living each day successfully.

Pesach and Sukkot remind us of the presence of God in our lives in very different ways. In the dramatic and in the ordinary – we can find God both at times of crisis and in the mundane routine of our lives, should we choose to really look.

A connection with the Divine Being is both nourishing of, and challenging to, our spiritual lives. Each festival has its way of directing our attention to that connection, and to the way the trajectories of our lives are developed. But there is another way to look at the symbols of Sukkot – specifically at the four species.

In the Midrash we find that R. Moni taught about the lulav and etrog using the verse from Psalms “all my limbs shall say, ‘God, who is like You?’ (Ps 35:10).

He said “This verse was only said in reference to the lulav. The spine of the lulav resembles the spine of a person; the hadas (myrtle) resembles the eye; the aravah (willow) resembles the mouth; the etrog resembles the heart. [King] David said: these are the most significant organs of the body, for they encapsulate the entire person. (VaYikra Rabbah 30:14)

It is a Midrash we know well, that in using the bundle of lulav and etrog together in worshiping God and in calling for the rains, we are taking our whole selves into the activity. But extend this idea a little further and you see that when we take hold of the lulav and etrog, we are in effect holding ourselves in our own hands, enjoying a rare chance to look at ourself from the outside. Just five days after Yom Kippur, when we have spent over a month in introspection and thought about ourselves and our lives, we are privileged to take one last external and objective look at ourselves. But more than that, we can see ourselves clearly but we also have ourselves literally in our own hands. We can decide in which direction to point ourselves in the year ahead and actually ‘take our own life in our own hands’ and start the process with a clarity of our own making, with our own decision making and with ownership of our own choices.

Sukkot, that most universal of festivals, rich with symbolism of our own vulnerability and dependence on God – yet at the same time with the powerful symbolism of our trust in our continued existence, is a time when we begin our journey anew, when we take ourselves in hand and make something of the year to come. Trust in God is all very well, the symbolism reminds us, but we have to rely also on our selves and not wait for some divine intervention to bring about the purpose of our lives, or to save us.

Seventh Day Pesach and the Song of Miriam

The preparations for Pesach begin in earnest at Purim. Any Jewish homemaker will tell you of the frenzy that begins to build from then, the cleaning out of cupboards, then whole rooms; the growth of boundaries within the house, the diminishing places to eat. The culmination of the whole activity is seder, then the week falls into a rhythm of its own, the hard work done for a little while. The festival at the end of the week has a different flavour, somehow more relaxed and reflective – before the work of packing away the Pesach artefacts and recreating ordinary life.

The exodus from Egypt may be acted out in the animated engaging ceremonies at the beginning of the week, but personal redemption for many of us is experienced more in the unassuming days that follow, and particularly in the service of the seventh day when the Song at the Sea is read from sidra Beshallach.

There are apparently two songs in this sidra – the one known as song of Moses, and then a fragment or apparent echo of it which is known as the song of Miriam. But modern scholarship suggests that the texts we have may not be given the correct ascription, that the songs of Miriam and Moses were one choral piece, different perspectives on the same event sung both antiphonally and together. Writings found in Qumran uncover another seven lines of Miriam’s song, and when these are put together with the unusual pattern of the words in the scroll, we find that a commentary on the main text emerges.  Miriam addresses her words to the whole community, focussing on the contemporary experience of the miracle, and bringing them into dialogue; Moses’ words are about his own understanding, his own leadership and strength.

The beginning of Pesach sometimes feels to be all about Moses, the upfront miraculous power of leaving Egypt in the chaos and turmoil of the exodus. But the ending of Pesach is about Miriam’s way of being – the quieter underpinning of experiencing change, of weaving it into normality, the import of the story and not the headline.

Miriam involves the whole community, singing to them of their history. While each of us must feel that we too came out from Egypt, how much more important is it to us that we did not come out alone, but as part of a people, and that our history is not just great events or great individuals, but a fabric made up of the lives of us all. Redemption is to be found in the quieter, deeper spaces of our tradition.

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The meaning of Matzah: affliction or liberation but always bread.

The bible tells us that people cannot live by bread alone (Deuteronomy 8:3), a statement so powerful it is repeated in the New Testament.

 Bread is one of the oldest prepared foods. Evidence on rocks in Europe from 30,000 years ago shows starch residue left from the plants which had presumably been pounded to create flour in order to make early flat bread.

With the Neolithic age and the spread of agriculture, bread from grains became the mainstay of the human diet. Yeast spores are everywhere – in the air and even on the surface of cereal grains, so any dough left to rest in the open air will over time become naturally leavened. But people quickly learned to help the process along -Pliny the Elder reports that the Gauls and the Iberians used the foam skimmed from beer to produce “a lighter kind of bread than other peoples.” Those who drank wine instead of beer in the ancient world used a paste composed of grape juice and flour that was allowed to begin fermenting, or else they used wheat bran steeped in wine, as a source for their yeast. But the most common source of leavening was to retain a piece of dough from the previous day to use as a starter for the new dough.

Probably that is why every year or so one had to start again, to not keep on endlessly adding a piece of dough from before to the new mix of flour and water, but to break what we would see as the cycle of infection and make a new start with this important food.

Bread means so many things to us – it was used to pay the workers’ wages in ancient Egypt and the word is still used today to denote wealth – both ‘bread’ and ‘dough’ are slang expressions for money.  The word ‘companion’ denotes someone with bread (com + panis). The Roman poet Juvenal satirised superficial politicians and the public as caring only for “panem et circenses” (bread and circuses).

The cultural importance of “bread” goes beyond slang, to serve as a metaphor for basic necessities and living conditions in general. A “bread-winner” is a household’s main economic contributor whose role is “putting bread on the table”. A remarkable or revolutionary innovation is often referred to as “the greatest thing since sliced bread”. Bread is the staple requirement in all human societies.

The word “bread” itself is curious – it has been claimed to be derived from the root of brew though it may be connected with the root of break, for its early uses are confined to broken pieces, or bits of bread. But in Hebrew the etymology is even more curious – “Lechem”, the Hebrew word for bread, is the same root as “lochem” – to do battle, and unlike the Teutonic languages, the third possible root “lacham” means not to separate, but to join together.   Using all three meanings, Ludwig Kohler, the author of a dictionary of biblical Hebrew, suggests that this third root – to be joined together, explains both battle and eating bread – in battle there is hand to hand combat and soldiers are bonded together in groups, in eating bread together people bond together in solidarity – breaking bread with someone is a powerful signifier or peace with them. Of course, the opposite may also be true – wars are fought over resources, and what is the most basic resource alongside water? Bread.

So what has this to do with the emblematic food of Pesach?  Matzah is symbolic of two kinds of bread: both the bread of affliction and the bread of liberation.   As we consider this festival and the foods we don’t let ourselves eat – for Pesach should not be, as it increasingly seems to be becoming, a time when we can imaginatively create dishes that mimic chametz, with breakfast cereals and potato flour pasta made kosher for Pesach, – but we should be thinking of the staples of our lives, what they are based upon, how we are separated and how we are joined, how we add value to our lives rather than live them mechanistically.

By eating matzah we are helping ourselves consider what is freedom, what is poverty, and how fine the line between the two. We are reminding ourselves of what is basic and important in our lives and what is the froth of the leavening.  Every so often we have to stop, to break the chain of habit, to start again from the beginning and Pesach is that time. Just as we break the cycle of infection of using a piece of dough from the previous day by making our bread with no additions except the elemental flour and water, so we take a week to live our lives in simplicity, to think about what we have been doing unthinkingly.  Bread is freedom and bread is poverty. Bread is broken and bread is joined. As we navigate the ambiguity and the possibilities of lechem in the form of matzah, we have the choice to think again. Are we in freedom? Do we oppress? Are we broken and separated from what matters? Are we joined to others in a strong bond?

The festival of Pesach will soon be over, but I hope the thinking it demands of us goes into the weeks of the Omer as we build and count up towards Sinai and the accepting of Torah.

 

Pesach thoughts

The story of Pesach is one of renewal. Originally it seems that there were two festivals to do with the Spring – there was Pesach which was a celebration of the new lambs, and there was Chag HaMatzah, a holiday which celebrated the first grain harvest of the year and the using up of the old. At some point, (maybe around 1250 BCE when the Exodus is said to have taken place), the two Spring festivals became one.  The verb ‘pasach’ means to jump over (the way that lambs jump about in the fields) so it became used to describe how God passed over the houses of the Hebrew slaves in Egypt and did not kill the first-born people inside. The word Matzah came to be understood as the unleavened bread that was eaten because of the haste of the departure of the Hebrews from Egypt.  As ever, Judaism is adept at taking what already exists in the ritual lexicon and reinterpreting it, renewing it in order to bring about a different significance and meaning.

Pesach was a primarily a festival which rejoices in the Springtime and the hope of renewal and revitalisation it brings. It is also now an historical festival, marking the real beginnings of the Jewish people, something that will find its culmination in Shavuot. And Pesach is also a festival dedicated to ideological and the spiritual renewal– it is a festival of freedom, a promise and foretaste of ultimate redemption.

With Pesach and the Spring we are at a new beginning. The physical world is waking up and there is a sense of possibility. As Pesach approaches we deep clean our homes, removing the hametz – the old and fermented goods. The process symbolises a kind of spiritual new beginning, the removal of the stale from our lives and the opportunity to start again. 

Preparation for Pesach is a very physical activity, from Purim onwards we carry on an extreme version of spring cleaning, doing what used to called in my Yorkshire childhood ‘bottoming’ (as in I’ll get to the bottom of that wardrobe / pile of papers / overstuffed kitchen drawer). The sheer upheaval is enough to make one tired, yet it also forces a sort of internal reflection.  While making free with the bleach and the various cleansers the mind can sort of disengage and has time to think.  In fact it is not unlike the way prayer works – as the mouth and body follow the prescribed words and choreography of the siddur, the mind finds itself free to range further.

But Pesach isn’t only about the physical renewal nor the spiritual replenishment it brings – Pesach requires us to locate ourselves in our ancient narrative, to tell our story once more and place ourselves within it. To make certain our children are also listening and hearing it and taking it for themselves. Hence the rituals around the Seder, many of which are designed to attract the children, to pique their interest and draw them in. Without the telling of the story and the conversation about it that follows, Pesach is simply a Springtime ritual in order to celebrate the new agricultural year that follows the cold and forbidding winters. Without the discussion and dialogue about what the story is teaching us about freedom then and now, we are simply following an empty ritual.

 A gloss on the word Pesach teaches that besides being the verb for jumping over, it can be divided into two Hebrew words – ‘peh’ meaning mouth, and ‘sach’ meaning talking or conversation. The whole point of Pesach is to talk, to tell, to sing, to describe, to discuss, to argue examine and consider what the meaning is for us now. If we celebrate only with ritual, if we simply plonk ourselves down at the nearest Seder and work our way through the haggadah, we will be doing this most powerful of festivals a disservice. Pesach, the preparation time leading up to it, and the Seder itself all sanction conversation between the generations – to tell the story again and again, to understand what it means in our day and age. So as we prepare the ritual items for Seder, we invite friends and family to join us in the retelling of the haggadah , and merge the stories of springtime lambing and first grains with the stories of exodus from Egypt and God’s dramatic re-entry into our history. We ask ourselves the contemporary meaning of our story. We talk to each other about what we each think about freedom, what we see in the world,  and we consider what we can do about what we see. That is surely worth all the work in preparation for the festival, and it gives us our work for the year to come.