Toledot: there are more generations and more branches in our family tree than we notice – meet Mahalat bat Ishmael the fragrant bringer of hope

וַיַּ֣רְא עֵשָׂ֔ו כִּ֥י רָע֖וֹת בְּנ֣וֹת כְּנָ֑עַן בְּעֵינֵ֖י יִצְחָ֥ק אָבִֽיו: ט וַיֵּ֥לֶךְ עֵשָׂ֖ו אֶל־יִשְׁמָעֵ֑אל וַיִּקַּ֡ח אֶת־מַֽחֲלַ֣ת ׀ בַּת־יִשְׁמָעֵ֨אל בֶּן־אַבְרָהָ֜ם אֲח֧וֹת נְבָי֛וֹת עַל־נָשָׁ֖יו ל֥וֹ לְאִשָּֽׁה:

“And Esau saw that the daughters of Canaan were displeasing to Isaac his father. So Esau went to Ishmael and he took Machalat the daughter of Ishmael son of Abraham, sister of Nevayot over his women/ in addition to his other wives, for a wife for himself.”

So ends the sidra of Toledot. It began with Isaac marrying Rebecca and pleading with God for her to have children. Having conceived twins who are struggling within her, Rebecca is informed that she will give birth to two nations who would be not be equal. The firstborn, Esau, was red and hairy. The second born was holding on to his brother’s heel so they named him Jacob (heel). Esau became a skilled hunter and was the favoured child of his father, but Jacob remained close to home and his mother. The bible recounts the story of Esau coming home famished after a hunting trip and selling his birthright blessing for some of the delicious red stew that Jacob had made.

The narrative continues with the story of a famine and Isaac goes to the Philistine King Abimelech for support, having been told by God to not leave the land as his father had done. Isaac settled in Gerar, and for fear of being killed because of Rebecca’s beauty, he follows the example his parents had given and told Abimelech that Rebecca was not his wife but his sister. Abimelech however found the lie out, and in order not to attract punishment from God, warns the Philistines not to mistreat the couple.   Isaac grows wealthy and the Philistines begin to hate and envy him to the point where he is unsafe. Isaac moves his household away to Rechovot, and then has an encounter with God at Beersheva where he receives the covenant of blessing. Abimelech, understanding that Isaac is the heir to his father’s relationship with God seeks a peace treaty with him which is sealed with a feast.

Now we return our focus to the family. Esau married two Hittite women, Judith bat Be’eri and Basemat bat Elon, and Isaac and Rebecca are bitterly upset.

Now we come to the last phase of Isaac’s life. He is old, his sight is poor, he knows it is time to give the blessings to his sons. He asks Esau to hunt and prepare a dish of his game for him after which he will bless him. Rebecca overhears, and, when Esau is gone, she instructs Jacob to bring her young goats in order for her to make a meal for Isaac that Jacob can take him and receive the blessing. Jacob does not think this will work- Esau is hairy, Jacob is not. Isaac on touching his son will understand the deception and may curse him. Rebecca responds by taking the curse upon herself, and demands that Jacob do as she has told him. She makes coverings from the skins of the goats and food from the flesh, dresses Jacob in Esau’s clothing and sends him to his father. The text is ambiguous as to whether Isaac recognises which of his sons is with him, but he goes with the flow, blessing Jacob with the special blessing. Esau returns, discovers his blessing is already given to his brother and in his distress asks his father for another. Isaac blesses him with abundance, but also with the hope that he will one day break the yoke of subservience to his brother. Esau’s fury is a danger to Jacob and so his mother arranges that he is sent to safety with her family under the pretext that this will keep him away from Canaanite women and help him to marry within the family group.  Esau hears this, understands that his first two choices of wife were not acceptable to his parents, and so he goes to Ishmael his uncle in order to marry Machalat, his cousin, the daughter of Ishmael.

Machalat is family. She is the daughter of Ishmael the beloved son of Abraham and of Hagar, whom God comforts when she and her son are near to death in the wilderness having been expelled from the camp. Hagar is the first person who is recorded as giving a name to God.   We are told that “she called the name of the Eternal who spoke to her, You are El Ro’ee (a God of seeing)” (Gen 16:13)  So Machalat is the grandchild of a woman who encountered God.

There are two biblical texts naming the wives of Esau, and they do not exactly coincide. One tells us the three wives are Yehudit bat Beeri, Basemat bat Elon and Mahalat bat Ishmael (Gen 26) whereas the second tells us they are Adah bat Elon, Basemat bat Ishmael and Oholivamah bat Anah (Gen 36).  The gemara resolves the problem by saying that Basemat/Machalat were the same woman, and whereas the name Basemat means fragrant, Machalat comes from the same root as forgiveness – mechilah – and that in marrying her all the sins of Esau were forgiven (JT Bikkurim 3:3)This would explain how, when the brothers meet up again years later, Esau is warm and welcoming, having given up the bitterness and anger caused by his brother’s betrayal, he too, having been forgiven, is able to forgive.

Basemat, whose name implies great sweetness, gives Esau a son and names him Re’u-El –friend of God. Is it accident that the name plays with and even seems to echo the name her grandmother gave to God – El-Roee? What is clear is that while Esau has many other children, only this son is named with a reference to God.

It feels like a hint – Hagar and Basemat were not destined to be part of the main thread of the narrative, but they were important nevertheless, they had their own very good relationship with God and their lives impact upon our history.

The bible may not be focussed on these women, or on this lateral branch of the family tree, but it considers them important enough for them and their descendants to be recorded. We know about Rebecca, her initial infertility and her later challenge to God once her difficult pregnancy was begun. We know how she took care to direct the narrative so that Jacob would become the link in the chain of tradition. We know about Sarah, her initial infertility and her derisive laughter in responding to God’s telling her that she would yet bear a child to be the link in the chain of tradition. But the bible reminds us there were other women who also had encounters with God, yet who did not go on to become matriarchs in our tradition.

Our historic commentators do not much notice these women, and if they choose to do so it is usually to make a point about the men they are connected with, and to be honest, they are not often kind to the women nor interested in them and their experience. But now we have a different set of lenses, modernity chooses to unpeel the layers of patriarchy and look again at the unvarnished text. Machalat the daughter of Ishmael appears to be a woman who, like her grandmother, knows God. Her marriage to Esau seems to change him, their son is a friend of God, the same God who appeared to abet Esau’s trauma. She brings forgiveness – mechilah – and she brings hope. Hope for the brothers who were destined to be in an unequal power relationship but whom we see later in life are both wealthy, settled family men. And in bringing the hope that transforms the relationship of brothers born to struggle against each other, surely she can be the touchstone for us in our generation when we know we are not forced or destined to hate each other. Machalat bat Ishmael, she brings the fragrance of hope and optimism. She deserves to be noticed.

 

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Image is “Mahalat” [Yishmael’s daughter, Esav’s wife] by Siona Benjamin

Internet trolls trying to feel better by abusing others -Jewish teaching is for them too. The world is created and can be destroyed with words.

In the uncharted territory of social media we find a variety of inhabitants. Bloggers, tweeters, virtual lifers … and of course trolls. The troll’s sole purpose on the net is to abuse and argue with others, and to cause emotional upset wherever they can.  Many celebrities have their own personal trolls, and wherever women’s issues are mentioned, or politics or race or religion or human rights or refugees – there too trolls convene. The perceived anonymity of the online world means verbal bullying and cruelty seem to them to be acceptable, even justifiable.

Judaism is deeply aware of the power of words, teaching that the world is created by speech.

There is a Chassidic story about a man who gossips about his rabbi, who, realising the wickedness of this behaviour goes to the rabbi to apologise, offering to make amends for the rumours he has spread. The rabbi instructs him to take a feather bolster, cut it open and scatter the contents to the winds, and so he does. When he returned, the rabbi said “now, go and gather up all the feathers”. The man protested that this was impossible, and the rabbi told him, “like the feathers you cast to the winds, the words you spoke can never be recalled, and the damage done can never be undone”.

Like this man, the internet trolls surely cannot imagine the damage that they do, and even deleting the posts will not remove the pain they inflicted.

God said to the tongue “you are kept guarded inside the body, and not only that but I surrounded you with two walls, one of bone (the teeth) and one of flesh (the lips)”

Speaking negatively of others is easily done, and may give us a momentary sense of self esteem. But the cost to our souls is real and the cost to others – both the individual who is demeaned or trolled in social media posts and to civic society and civil discourse – that is real too.

In mythology light destroys trolls, and in Judaism there is an awareness that the light shines on us wherever we are, even in the anonymous depths of the internet. The Rabbis tell us if we remember three things we won’t come into the power of sin: That there is an eye that sees, an ear that hears, and that everything is recorded in a book.

Sarah, a matriarch whose multifaceted life gives us all something to live up to.

The Matriarch Sarah is the only woman for whom a sidra, the weekly torah reading, is named.  The first wife of Abraham, the mother of Isaac, she is the also the first of the four biblical matriarchs. What do we know about her? No genealogy is given for her when we first meet her as the wife of Avram living in Ur of the Chaldees, although Avram does at a later point say she is his half-sister. (Gen 20:12). Her name when we first meet her is “Sarai” which may be a name derived from the goddess Ishtar who was also called “Sarrat”, and although scholars also suggest it may be a name meaning priestess of that pagan cult, we tend to assume her name comes from the Hebrew for prince or leader –S.R.R.  making Sarah a princess of our people.

The first thing we know about Sarah is that she is unable to conceive a child, and so when she does so at the age of 90, her husband being one hundred years of age, this is clearly because of divine intervention and both parents laugh in disbelief when God tells them. Abraham asks God to give Ishmael the role of heir (Gen 17:17-19) but God is very clear – the covenant with Abraham will be passed down through a son he shall have with Sarah. She is an important and necessary figure in the divine covenant and as proof of this her name is to be changed along with Avram’s and she too is blessed in similar language to the blessing given to Abraham.

The change of names must catch our attention. When Abraham’s name is changed it is to clearly alter his destiny. God tells him “your name will no longer be called Avram (exalted father) but your name shall be Avraham because I have given to you the fatherhood of a multitude of nations”. The letter ‘hei’ has been added to Avram’s name – and this letter, with the numeric value of 5 which is the magical number for protection, is also a letter which symbolically denotes the name of God.

Sarah’s name change is rather different. God speaks not to her but to Abraham, saying “You shall not call her name Sarai, because her name is Sarah. And I will bless her and also give you a son with her. And I will bless her….”

Sarah is already her name – there is no change except that now Abraham will call her by her name. There is no added letter to her name – instead one could argue that part of her name has been taken away, the yod (numerical value ten, symbolically used for the name of God) has transmuted into the letter hei. It has been halved, and one half given to Avram in order to fit him for the role he is to take on. You could say that Sarah is diminished in order to enrich her husband.  Some of her divine spark is taken in order to build him up. She is the woman whose descendants will gain the eternal covenant. She has a special relationship with God – the only woman in torah to whom God talks directly – it is through the merit of Sarah that Abraham is able to achieve his destiny.

Another way of reading what happens to Sarah’s name is that the yod is turned into a hei by the addition of the letter dalet – when a scribe writes the letter hei in a torah scroll, it is by the combination of a yod and a dalet. So while at the same time as creating two hei letters from the yod, one could reason that Sarah had the letter dalet added to her name. The letter dalet is an ideogram for a doorway, as the Hebrew word delet reminds us. So knowing that she is Sarah means that Abraham begins to understand that she is the doorway and the gatekeeper to a deeper spirituality, a way to connect with God not just for himself but for the generations to come. Sarah emerges as liminal, as the connector between two worlds, a woman who transcends experienced reality.

Sarah’s relationship with God is defined by the phrase we use in liturgy – “pokeid Sarah”.  The verb p.k.d has a number of meanings: to attend to, to visit, to muster, to remember, to account, to command.   God remembers Sarah’s desire for a child, God visits Sarah to announce that she will have a child, God appoints Sarah to be the matriarch of peoples, God pays attention to her and tells Abraham to do the same.

Abraham and Sarah were said to have been noticeably hospitable, open and inclusive. Sarah’s tent was said to be open on all sides to welcome desert travellers needing a warm welcome. The midrash (Bereishit Rabbah 60:16) tells us also that as long as she lived the Shechinah hovered over her tent, her challah dough was blessed and her Sabbath lights lasted the entire week until the next Shabbat.

She was also a notable prophet – the Talmud (Yerushalmi Sotah 7:1) tells us that her prophecy was greater than that of Abraham , and that God was referring to her prophetic power when telling Abraham “whatever she tells you, do as she says” (BT Sanhedrin). It also lists her among the seven women prophets (BT Megillah 14a)

Sarah lived to the age of 127, and the way the bible describes this implies she lived a number of different lives in these years. She was a woman of great complexity, a woman of great strength who was destined to become the progenitor and matriarch of many peoples.  It took time for this to be revealed – she is a woman both hidden in the tent and open to the world; a wife who travelled with her husband wherever he went at some real inconvenience to herself and a wife who was living in a different city from him when she died. Her relationship with Isaac was a strong bond – she ensured his protection when she saw that Ishmael was assuming a position of power that might damage him, and he was comforted for her death by the love of his wife Rebecca, a touching phrase which tells us a great deal about the bond between them.

Sarah’s relationship with Isaac is at the core of the text. The covenant of blessing is destined to be the given to the child of both Abraham and Sarah, but Abraham is clearly fond of both boys, even suggesting to God that rather than have another child, Ishmael could take the role. So it is Sarah who must protect Isaac, who must shape and form him ready to take on his destiny. It is Sarah who engineers the removal of Ishmael from the scene, and who having protected her son from a potential rival retires from the fray.

But her protective action did not end the danger. God appears to ask Abraham to offer up Isaac on a specific mountain and Abraham does not argue but takes the boy on the journey, prepares him for his fate and is ready to slice the knife into him as a bound offering to God, only stopped by the urgent cry of an angel of God at the very last moment.

Because of the story of the death of Sarah being reported in bible immediately after this terrible text of the binding of Isaac, the midrash links the two, saying that Satan tricked Sarah into believing that Abraham had indeed killed their only son, and the soul of Sarah flew out of her body in her deep distress as she wished to live no longer. Another somewhat less believable version is that she died of happiness when she realised that she had been tricked and her son was still alive. (Pirkei d’R.Eliezer 32/ Ginzburg Legends of the Jews)

Either way, her life ends much sooner than that of Abraham who goes on to marry Keturah and have more sons, but who has become irrelevant to the purpose of the biblical narrative after that moment on Mount Moriah – except to buy the land in Hebron for her final resting place, the Cave of Machpela which will become the family mausoleum to this day.

The text moves on to focus on Isaac, son of Sarah and Abraham. Isaac will marry Rebecca and he will love her till his death. The love of his mother has made him who he is, a strong but unobtrusive figure perfectly placed between his famous father and his famous son, providing stability and warmth and entrenching the place of the covenant of blessing into the family firmly and steadfastly. The legacy of Sarah provided many things in rabbinic tradition – land properly bought within Israel, many converts to the one God, hospitality, steadfastness, divine merit, but for me her best legacy is Isaac. Often misunderstood and seen as less important than his colourful father and sons, he is a man who has shown himself to be so well loved that he can overcome the trauma of near filicide to build a relationship of love and trust with wife and sons, and to put down roots and live alongside the other tribes. That, I am sure, is the inheritance he got from Sarah. That, and the covenant of blessing which is usually – wrongly – ascribed to Abraham alone. but which was given to him only because of the merit of Sarah. I used to have a fridge magnet that said “behind every successful man is an exhausted woman” – certainly the aphorism that most fits our first and most wondrous matriarch.

Lot: a cautionary tale of superficial success and the victimisation of the powerless

Lot, the nephew and heir apparent of Abraham is a man with barely any redeeming features in the biblical account. We meet him first in the genealogies following the flood, when we are told that “Terach begot Avram, Nahor and Haran, and Haran begot Lot, and Haran died in the presence of his father Terach in the land of his birth, in Ur of the Chaldees.” The fatherless boy is taken into the household of his grandfather, and Terach, Avram and Lot leave Ur to go to Canaan, but settle in Haran, where Terach dies. God speaks to Avram, and he moves on towards Canaan, taking Lot with him. Famine drives them to Egypt where Avram claims that Sarah is not his wife but his sister, and while this saves his life it also puts Sarah into Pharaoh’s harem – until God intervenes and together they all leave Egypt much richer than they had arrived.

The land could not support the flocks and herds of both Avraham and Lot; there is fighting between the herdsmen of the two men, and Abraham suggests that they part company and go in separate directions.  Lot journeys east towards the cities of the plain, Avraham goes to Canaan and again he is promised all the land as far as he can see, to be the eternal possession of his – so far non-existent – descendants.

We hear no more of Lot for a while, instead we witness the births of first Ishmael and then Isaac, and it becomes clear that Lot is no longer the heir apparent – the two households have separated permanently, whatever might have been is no longer a thread in the narrative.

And then comes the cataclysm at Sodom, and Lot’s family are back, centre stage, as we watch with horror the different tragedies unfold.

We get a good, close look at Lot, and we learn too about his family. It is not a pretty sight.

To begin with he parallels his uncle Abraham’s hospitable behaviour. The two messengers of God arrive at Sodom in the evening, and come across Lot sitting at the city gate. It is a significant time as the night is coming, and a significant place in the city where all the communal activity is centred. The implication is that Lot, whose youth was rootless and dependent, is well integrated into the city, either doing business or demonstrating his status in some other way.

Lot is keen to offer his home hospitality and we soon find out why – a mob surrounds his house apparently demanding he hand over his guests for the sexual pleasure of the crowd. Lot goes out not to send the people away but to suggest a compromise – he will not hand over the men who were guests under his roof and his protection, instead he will hand over his two virgin daughters for the use of the crowd. It is at this point the modern reader despairs. While apparently taking his hospitality duties seriously, Lot is prepared to sacrifice his daughters to the baying crowd. We can only wonder what he learned from the actions of Avram who called Sarah his sister rather than his wife and allowed her to be taken into the pharaoh’s harem in order to protect his own life.

The visitors reach out to Lot, bring him back into the house, and smite the crowd outside with blindness so that they are comically unable to find the doorway, though they kept on trying. Lot is told to find his family and take them out of the city which God will destroy. Lot goes to speak to his sons in law, but they do not take him seriously. He makes no attempt to talk to his daughters.  As dawn rises the angels urge him to go with his wife and two unmarried daughters but inexplicably he lingers, and a merciful God transports them out of the city almost magically, warning him to head for the mountains and not to look back, but Lot prevaricates, saying the mountains are too far away, asking if he can survive in a nearby city, Zoar, and God agrees to protect that city from the coming catastrophe.

The fire and brimstone comes, the cities of Sodom and Gemorah are destroyed, Lot’s wife looks back and is turned into a pillar of salt, but through the merit of Abraham Lot is saved. He and his daughters are afraid to stay in Zoar, so they leave and go to live in the mountains, where his daughters conclude that no one else is left alive and so they make a plan to sleep with him in order to ‘preserve his seed’. Having got him drunk, first the elder and then the younger daughter sleep with Lot in order to become pregnant by him, and thus bible tells us of the origins of two important – and inimical – peoples, the Moabites and the Ammonites.

Lot comes over as a man who has been given wealth and status but who below that surface is a weak and selfish buffoon, a man of straw. He is interesting to the narrative only through his relationship with his uncle Abraham, a branch of the family tree that might have been important but which now is irrelevant. He is the father of four daughters, none of whom he thought to protect. His  wife deserves our pity – unnamed, unspoken to, she is referred to only in relation to leaving the cataclysm, she isn’t given the message not to look behind them and so she does, with fatal consequences, though I can’t help feeling that there may have been some relief in no longer having to hitch her life to his.

She is a “Netziv melech” a standing monument made out of an easily eroded material. Salt represents value and wealth, it is used to preserve food, it has medicinal qualities, the beautiful crystals reflect light, it speaks to us of the sea and of tears. Salt is the symbol of the covenant (see Lev 2:13, according to Talmud salt from Sodom was burned in temple ritual (Ker 6a) and it is present to this day on the Kiddush table alongside the challah as an echo of that ritual. Lot’s wife escapes the fate of the rest of her family, she is preserved at one with her environment before the descent into degradation that follows.

The younger daughters of Lot do not escape. Bereft of their mother and older sisters, left alone in the mountains with the weak old man who is their father, fearing the world has ended – theirs is a sorry plight.  They have grown up in an emotionally abusive family; their father cared for the superficial success he could enjoy living in his adopted city, working out his own damage of three times losing his own father figures, he did not himself seem to know how to be a good husband or father. He had already offered these daughters for rape by the baying crowd seemingly in the bizarre belief that this was the action of a good host. He must have known the nature of the city he had chosen to make his home and the home of his daughters. His sons in law clearly had no respect for him, he was a weak and laughable figure to them. In a patriarchal world, Lot was no alpha male. Even his name, meaning ‘tightly wrapped’ or ‘covered’, seems to describe a man who draws his blanket around him and hides inside.

With such a father what chance do the girls have?  Yet they seem determined that he will have descendants. Is this a case of Stockholm syndrome whereby the captive will do anything to support and empathise with their captor? Are they actually fearing more for themselves than for their father, whom they describe as old – possibly near to death – and they may be left without any male relative to support and defend them? Will a son born from incest be better than no man at all? Have they believed the story of his superficial success, and refused to look deeper? It is interesting that his wife actually looks mei’acharav – from behind/after him rather than behind her – she is not looking at the city she is fleeing, but instead maybe she is really seeing who her companion in the escape really is and crystallising in horror about both the past and the future, fixing in an eternal present.

The daughters of Lot had not known any man. Their choice to get their father drunk in order to sleep with them is curious – did they think he would refuse them? Did they think he would be easier to control if he was so stupefied he would remember nothing about what happened?  Is it believable that they would choose the actions described in bible, or is it possible that bible is subtly shifting responsibility, making what can only be described as incestuous rape the fault of the young women involved, rather than the responsibility of Lot himself? We already know that he was ready to hand them over for rape in Sodom, have they internalised their use as sexual objects of no real value otherwise? And is there an ambiguity in the statement that “there is not a man in the earth to come in unto us after the manner of all the earth”? The daughters must surely have seen that Zoar was not destroyed, they must have been able to realise that not everyone had died. Are they saying that they are tainted already simply by their relationship to their father. That no man would want them, coming as they do from a city so wicked and a family so weak? Given that they would be unmarriageable in their society, might they at least preserve some kind of descendant who might even remedy their faultlines in some way? Why the use of the word ‘seed’ rather than children? Is this an early intimation of the messianic line which will eventually derive from Ruth the Moabite woman?

The problem with Lot – damaged from childhood, whose name implies that he is tightly wrapped up and thus insensible to the realities of the outside world, who argues over money with his patron and uncle Abraham, who chooses to live among wicked people and be honoured in their society, who does not value his wife or children – the problem with Lot is he is, from the point of view of the bible, family. Somehow the narrative shifts the blame from him again and again, because of the merit of Abraham. He is the progenitor of two of the tribes most hostile to the Israelites, the incest resonant in their names – Moav (from my father) ben Ammi (son of my people). He has distorted the narrative horribly. But bible and midrash choose instead to focus on the faults of his wife who, all unknowing, looks backwards (and midrash ascribes a whole series of unpleasant attributes to her in order to explain her punishment), and to ascribe to his young daughters the rapists charge that they were complicit, that they wanted it, that the drink removes all culpability. It is almost as though the text continues to abuse the daughters, to blame them, to disappear them into only being the objects of sexual exploitation.

There is no more mention of Lot after this episode. He disappears into history drunk, insensible, incestuous, irrelevant. There is no more mention of his daughters – they have served their purpose and they were always irrelevant from the point of view of the narrative.

The individuals have gone, but the systemic abuse goes on. Weak men who crave status and who use their families to win what they want. Superficial signs of wealth with no respect underlying it. Blaming the victims rather than challenging the abusers. Narratives that shift blame, horror hiding in plain sight, the emergence of different groups determined to assert themselves against others.

Lot is the ultimate cautionary tale – of what we could become if we don’t pay attention, if we don’t try to follow the path of Abraham, if we don’t challenge what we see is wrong. And if we allow Lot to sit in the gates, to achieve status in our society, then we risk being his victims, just as surely as his wife and daughters were.

Sarah: blinded by her outward appearance we miss the person within

Deception and beauty, the bible is fascinated by the interaction of the two.

When Avram, having left Canaan because of the famine, arrived in Egypt he feared that the beauty of his wife Sarai would mean that the Egyptians would kill him in order to take her for themselves, and so he asks her to lie, to say that she is his sister “that it will be well with me for your sake, and so my soul may live because of you”. And certainly his fear is grounded, because the Egyptians see Sarai’s exceptional beauty,“ki yafah hi me’od”. The princes of Pharaoh see her, sing her praises to him, and she is taken into Pharaoh’s house. Pharoah gives a great deal of wealth to Abram as dowry, but God intervenes, plagues Pharaoh and his house on account of Sarai, until Pharaoh understands that he has taken Avram’s wife and arranges for her to go back to him, and for Avram and Sarai to go on their way with their accumulated gains.

This is the first of three wife-sister deception narratives in Genesis, the others being with Sarah and Abimelech and with Rebecca and Abimelech.  The repeated retelling seems to imply that these are not historical reportage, but a motif to give us a deeper understanding of our patriarchs and matriarchs.

Any number of questions emerge from even a cursory reading of this text. We already know that Avram married Sarai (Gen 11:29) yet surprisingly her ancestry is not given, while that of Milcah, who married Nahor Abram’s brother is given her full background. Immediately we are told that Sarai is barren, she had no child – an enormous economic disbenefit for any wife in that society and that she went with her father in Law Terach, with her husband and with Lot the son of Abram’s dead brother, from Ur Kasdim towards Canaan, leaving behind Nahor and Milcah. (Gen 11:29-31)

Sarai’s great beauty is only told to us in the following chapter – which seem surprising if it were really so extraordinary. Her passivity – travelling with the family including the heir apparent Lot – leaving Ur Kasdim to go to Canaan but settling in Haran in the interim – seems to be the expected role of women, yet clearly the family did well, making great wealth, and the plural form is used – “all the wealth THEY had gathered, and the souls THEY had made” from which the midrash develops the idea of Avram and Sarai as the great models of inclusivity and openness, who between them had converted both men and women to the one God of Judaism.

So maybe Sarai was not so passive, but was a valued working partner in the relationship. And yet, as soon as they come near to Egypt she is prevailed upon not only to lie about her relationship to Avram, but essentially to become adulterous in order both to protect his life and increase his wealth.  She does not speak, she does not seem to object, and while one can see what is in the deal for Avram it is not so clear what is in it for her – except maybe that as a widow captured after her husband’s death she may be even more unprotected and powerless than as the sister of a living and wealthy man.

She doesn’t even seem to speak to Pharaoh, who, plagued by God, realises all by himself that the cause of his troubles is that he has taken the wife of another man into his household. Clearly at the beginning if she has bought Avram’s reasoning that this will save his life it is important that she keep the secret, but what about later when it is obvious that something is deeply wrong?  She is returned, as passive as ever, into the safekeeping of Avram her husband, and they are sent on their way, greatly enriched by the whole adventure.

Yet this story, with its overtones of sexual trafficking for gain cannot be left here – there is the repeated retelling with some alterations with a different king Abimelech, and then later with her daughter in law Rebecca and Abimelech. And there is the persistent motif of great beauty and deception.

Others are described in bible in almost the same words as having extraordinary beauty, the most prominent being Sarah’s daughter in law Rebecca, described as being tovat mar’eh me’od (24:16 and 26:7), Rebecca’s daughter in law Rachel about whom we hear “V’einei Leah rakot; v’Rachel hay’ta y’fat to’ar, vi’fat mareh” – The eyes of Leah were soft/ weak,  and Rachel was beautiful of form and beautiful in appearance. (Gen 29:17, and her older son Joseph who is “y’fei to’ar vi’fei mar’eh” (Gen 39:6)

Three matriarchs and the favoured son Joseph all described in bible in terms of their exceptional beauty. And all of them recorded in bible as deceiving in ways that change the narrative profoundly. Sarah and Rebecca are the objects of the their husband’s deception in the wife-sister narratives, but Rebecca goes on to deceive her blind husband in order to gain the major blessing for her favourite son Jacob, when he intends and expects to give it to Esau.

Rachel deceives her father and husband about having taken the household gods when they left Haran, an act that will bring about her early death. And her elder son Joseph, also described as beautiful, deceives his brothers who come to buy food, putting them through a horrible ordeal as they contemplated their father’s devastated reactions.

It is strange that on the whole we don’t know much about the physical appearance of the main characters in the narrative. What does Avram look like? We are not told. Likewise Isaac and Jacob, though we are aware of the physicality of Ishmael and Esau who are earthy,  athletic and skilful hunters.

It seems that only ‘outsiders’ and women are worthy of comment about their appearance. And then, as now, such comment serves to objectify, to limit in some way, to categorise. We no longer see the person, nor do we see their abilities or potential, we see the colour, the gender, the beauty (or lack of) and we make a judgement.

Later on in the narrative we will be able to see Sarah a little better – we will see her as the strong and independently minded woman trying to give her husband his much desired heir, however problematic that intervention is. We will see her as the woman who is visited by God, who laughs on hearing God’s voice telling her and her husband that she too will bear a child, and who speaks directly to God’s challenge to her, albeit to dissemble rather than be upfront with her views. We will see her as the mother determined to protect her child even if it means asking her husband to disown his older child – and ensuring that he does. We will see that her name is changed by God along with that of her husband. We will see that she lives away from her husband after the Akedah until her death when he has to travel to organise her funeral.

Sarah is the matriarch to match Abraham’s role – the promise of the heir who would receive God’s blessing is clearly as much to her as to him – it is Isaac son of Sarah who will inherit the blessing and take on the chain of tradition. She saves Abraham’s life at least twice, she helps him to increase his wealth, she directs the family life.

What is her beauty? The deception of Sarah’s beauty seems to be not so much what she does, but that it hides the strong and independent character within, the personal connection with God that she develops, the innovative and formative life that she lives. Her antecedents are shrouded in mystery, unlike Abraham’s, but their descendants are as much hers as his.

Proverbs tells us “charm deceives and beauty fades” when describing the perfect woman (Eshet Chayil) (31:30) and we should read the narrative of lech lecha with this in mind – if we only see the outward passivity and the blinding beauty that Abraham fears Pharaoh will see, then we miss what is important about Sarah.

Yet plus ca change, plus c’est la meme chose. Those who only see the outward appearance and the gender will layer on their own perceptions, their own beliefs about what they see, and will miss the gold that lies within.

Naamah, wife of Noah, sings as she goes about her work. Her voice calls to us as the world is remade

The first thing we learn about Noah is his genealogy  as the generations that separate him from Adam are listed – he is the tenth generation since the creation of humanity and ten is a powerful symbolic number in bible. (Gen5)

The second thing we learn about Noah is a connection between him and the ur-ancestors Adam and Eve, with the verbal root ayin-tzaddi-beit, (the noun itz’von – hard work/ creative work being used earlier for Eve and then for Adam and then not used again in Hebrew Bible)

The third thing we learn is that his name, Noah, meaning ‘rest’ or ‘repose’, but midrashically stretched to mean ‘comfort’ is somehow the counter to the idea of itz’von, that this one,  Noah, y’nachameinu – will comfort us – in our work (ma’asei) and the creative work of our hands (itz’von yadeinu), from the ground which the Eternal has cursed (Gen 5:29)  This is the first time that a name has been explained in bible since the first couple were named.

And the fourth thing we learn is that unlike his nine ancestors, Noah waited a long, long time before having children.  Five times longer than the usual delay – he was 500 years old before fathering a child.

The text has signalled that this man, the tenth generation of human beings, is notable. In some way he is born to mitigate the sheer hard work of creative exertion that has been the lot of human beings since leaving Eden.  And indeed he does alter the course of human history, becoming himself the ur-ancestor for the post-flood generations. And he is a late starter.

Why does Noah wait to have his children? One midrash tells us that God had made him impotent for the first 500 years in order not to have older children at the time of the flood which took place in his 600th year. (Gen Rabbah 26:2). Had his children been wicked they would have been killed alongside the rest of humanity, had they been righteous they would have had to make arks of their own, so the midrash places them at the cusp of adulthood – hence the delay in their births.

A much later commentary (Sefer haYashar) suggests another reason – that Noah knew that he would be bringing children into a corrupt world and chose not to do so. God had to remind him of his duty to find a wife and to have children, and to take that wife into the future in order that more children might  be born after the end of the flood.

I would like to add a third explanation – that just as the child of Sarah was to be the chosen heir to Abraham, so too does the saved remnant of humanity need to be the child of a particular woman.  For the text signals something very powerful about the mother of Shem, Ham and Japhet – she appears five separate times in the bible, and yet her name is omitted from the text.

In all but one of her appearances she is listed after Noah and his sons, and before the wives of the sons, but in the penultimate verse God tells Noah to “Go forth from the ark, you, and your wife, and your sons, and your sons’ wives with you” but they actually leave in a different order –Noah, his sons, his wife and their wives.

It feels like a moment has been missed. That moment is in need of revisiting and the wife of Noah in need of being rescued from her erasure.

The midrash tells us that the wife of Noah had a name, she was called Naamah.  How do they know? Because we know of a Naamah, the daughter of Lamech and Zillah, and sister of Tubal Cain – she is the only single woman listed in these early genealogies (and the other two women are the two wives of Lamech) and so must be of some importance, though the text does not tell us what.  Her name may give us another clue to her special abilities- the root primarily means to be pleasant, but it also has the connotation of melody and of singing. Naamah, whose brothers are each named for an aspect of human activity (the children of Lamech’s other wife, Adah are Jubal, the founder of the music of harp and pipe, and Jabal the patron of tent dwellers and cattle raisers, while her full brother Tubal Cain is the forger of every cutting instrument of brass and iron)is not given a role in the text – but surely her pleasant and calm singing voice forms a backdrop to the story much as the singing of a niggun helps us to focus on our own prayer.

Maybe this is her downfall – the musicality of a woman’s voice has certainly become something to fear for some rabbis and commentators.  Maybe her name had to be erased from the text lest her singing lead us to really notice her, make us ask why Noah waited so long to marry her and have children with her, make us wonder what qualities she had that would lead her to being effectively the second Eve, the mother of all living after the flood.

And there is something else that makes the modern feminist want to winkle out more about this unnamed but significant woman – the later midrash and the mystical literature choose to take her name (pleasant/lovely/musical) and transform her into the feared seductress of men, the woman who married the fallen angel Shamadon and who mothered the most fearful demon of all, Ashmodeus, the king of the demonic world. Whenever a woman is trashed in rabbinic literature, called a seducer, a demon, a killer of babies, a prostitute or a witch– there we know we can find a woman whose strength of mind, whose scholarship, whose sense of self is powerful and outspoken. We find a strong woman who scares a certain kind of weak man. Lilith the first wife of Adam who chose not to be secondary to him; Eve whose actions led to the curse of ceaseless work;  Deborah likened to a wasp who moves from being a judge in biblical text to a teacher of established laws as commentaries take over; Huldah described as an irritant, a hornet; Beruriah the scholarly wife of Rabbi Meir whose end was to be seduced by one of his students and so committed suicide…..

A woman’s voice is her sexuality, and takes her from her assigned role of quiet service to others, to one of power and of public awareness. No wonder poor Naamah was hidden in the text, no wonder that even when God said she should leave the ark immediately after Noah and before her sons and their families, when it came to it she was described as having left after her sons, relegated to the status of secondary character  yet again.  Midrash goes on to trash her further, calling her an idolatrous woman who used her voice to sing to idols (Genesis Rabbah 23) The statement by Abba b. Kahana, that Naamah gained her name (pleasant) because her conduct was pleasing to God is rapidly overturned in majority opinion and recorded texts. She is other, she is frightening, and she is the mother of the demon king. Let’s keep her quiet, unassuming, disappeared….

The role of women beyond child bearing and rearing is sometimes frustratingly alarming to the rabbinic world view. Naamah has adult children who themselves are married – her role is apparently fulfilled, we learn of no further children of Noah after the flood, so what else should she be doing? No doubt she knew, but we can only guess.

There she is, the descendant of Cain, bringing his descendants back into play in the world, providing a sort of redemption to the first biblical murder and fratricide.

There she is, the new mother of all living, as everyone now will descend from her and Noah, bringing to fruition the promise made on the birth and naming of Noah, “’This shall comfort us in our work and in the toil of our hands, which comes from the ground which the Eternal has cursed.”

There she is, released from the burden of Eve, having finished with the work of childbirth and instead supervising the recreation of the post-diluvian world while her drunken husband passed authority to their sons.

There she is, the singer, whose voice echoes the voice of God as the world is once again put back together after the chaos of the flood.

Abba bar Kahana, the 3rd century amora and one of the greatest exponents of aggadah tells us that she was called Naamah (pleasant) because her conduct was pleasing to God. This teaching has been overlaid and overturned in tradition, the idea being apparently too awful for some rabbinic teachers to contemplate. Her conduct was pleasing to God. God noticed her. She was the woman destined to be the mother of all who live since the flood. About time her voice is heard again, singing as she goes about her work.

Bereishit: Leaving Eden as equals with creative work to do

One of the most difficult verses in bible comes early in the text and seems to set the scene for those who want to prove that God loves the patriarchy and that the divine ideal is that women are to be subservient to the rule of men. I have lost count of the times that men have told me that women were cursed by God because of the culpable actions of Eve in the Garden of Eden, or the times when women have told me that there is nothing we can do to remedy the role our biology has cast for us. Calling attention to the earlier creation story in which male and female are created together in the image of God as one Adam/human being doesn’t seem to have the same power as the story called by Christianity “The Fall”. Indeed this verse seems almost magically forgettable as being the original scene setter of the creation of human beings – so I thought it was time to have a look again at the text that so conveniently can be read as “the sin of a thoughtless woman has led to her and her husband being rejected by God and evicted from paradise into a miserable existence.”

Reading Genesis 3:16, after God has asked the man who had told him that he was naked, and asked directly if he had eaten of the tree that God had commanded him not to eat, the man said “the woman whom you gave to me, she gave me of the tree and I ate”. God turns to the woman and asks “what is this that you did?” and she says “the serpent beguiled me and I ate”. God doesn’t ask anything of the serpent, but instead tells it “Cursed are you among all the cattle and all the beasts of the field. Upon your belly you will go and you will eat dust all the days of your life. And I will put animosity between you and the woman and between your seed and her seed, they shall bruise your head and you shall bruise their heel”

Let us just note here some interesting moments. The serpent is described as being among the cattle and the beasts of the field – not a class we would normally associate with scaled reptiles, but definitely something we would associate with an agrarian world view.  And let’s note too that the antipathy is between

          בֵין זַרְעֲךָ וּבֵין

      זַרְעָהּ

 

your seed and her seed – the human descendants are described as the seed of the woman rather than of the man, obliquely but definitely introducing the idea of female childbirth in the future.

With this in mind, let’s look at the next verses.  God turns his attention to the woman, saying:

אֶל־הָֽאִשָּׁ֣ה אָמַ֗ר הַרְבָּ֤ה אַרְבֶּה֙

עִצְּבוֹנֵ֣ךְ וְהֵֽרֹנֵ֔ךְ בְּעֶ֖צֶב תֵּֽלְדִ֣י בָנִ֑ים וְאֶל־אִישֵׁךְ֙ תְּשׁ֣וּקָתֵ֔ךְ וְה֖וּא יִמְשָׁל־בָּֽךְ:   ס

Now this verse is most painful for us feminists. It is most often translated as “To the woman he said, I will greatly increase your pain and your travail. In pain you will bring forth children, your desire shall be to your husband and he shall rule over you”

But that is not the only way to translate it, and the clue is in the context of this passage. To begin, let’s look at the first half of this verse, in particular the word whose root it “etzev” ayin, tzaddi, beit and its noun form used here : itz’von. It is used only three times – twice here in relation once to Eve and once to Adam, and later about Noach.

The root has two major meanings – one is to to hurt/ to work hard and the second is to form/to fashion. The nouns are itz’von and he’ron, which look like a parallel is being used. Given that the second noun means pregnancy/forming a baby, then itz’von should also mean forming a baby/ pregnancy – in which case the phrase means “I will greatly increase your creating a baby and your pregnancy, and with hard work (labour) you will give birth to children.

Note that God does NOT curse the woman. Instead God informs her that she will be taking over the hard work of creation, it will be her seed as a result of the encounter with the serpent, so it will be her role to bring forth human beings in the future. God is done – having created everything else in the garden with the ability and seed to reproduce, now it is time for human beings to do so for themselves.

Let’s look too at the use of itz’von in relation to the man. And note too, that God does NOT curse him either.

וּלְאָדָ֣ם אָמַ֗ר כִּ֣י שָׁמַ֘עְתָּ֘ לְק֣וֹל אִשְׁתֶּ֒ךָ֒ וַתֹּ֨אכַל֙ מִן־הָעֵ֔ץ אֲשֶׁ֤ר צִוִּיתִ֨יךָ֙

לֵאמֹ֔ר לֹ֥א תֹאכַ֖ל מִמֶּ֑נּוּ אֲרוּרָ֤ה הָֽאֲדָמָה֙ בַּֽעֲבוּרֶ֔ךָ בְּעִצָּבוֹן֙ תֹּֽאכֲלֶ֔נָּה כֹּ֖ל יְמֵ֥י

חַיֶּֽיךָ

“To the man God said, because you heard the voice of your wife, and you ate from the tree which I commanded you saying ‘you shall not eat of it’, then cursed is the land on account of you, with itzavon/ (hard work/forming and creatively fashioning),  you will eat from it all the days of your life.” (3:17)

Both man and woman are now told that the hard work of creating is down to them. The serpent and the land are cursed, they are no longer going to be as they were first intended to be, the serpent loses its place in the agricultural world, the land too loses its place as a garden where growth is luxurious and abundant and does not require the hard work that any gardener or farmer will tell you is necessary today to create a crop of food or flowers.

What is the curse on the land? It is that it will bring forth weeds, thorns and thistles, the unintended and unwanted growth that any farmer or gardener will tell you comes as soon as you stop working the ground, hoeing out the weeds, protecting the young seedlings.

A curse is something that goes wrong, that is not intended in the original plan, that deviates from the ideal.  So it is particularly interesting that the human beings are not themselves cursed, their situation is not deviating from the plan. It begins to look like leaving Eden was always the plan, that creating was always going to be delegated, otherwise why put those tempting trees there?

The section ends with God telling the man that in the sweat of his face he will eat bread, until he returns to the ground he came from, and the man calling his wife Eve, because she has become the mother of all living. Both these again are references to the itz’von of each of them – she becomes creative in the area of growing children, he in the area of growing food. And God’s statement that follows “Behold, the human has become like one of us”, is then qualified in terms of knowing good and evil, but it also describes the attributes of creativity that each now have, attributes which until this point have been the dominion of the divine.

Now let’s look at the second half of the verse where the woman’s future is described. “Your passion will be to your man, and he will mashal  you (וְה֖וּא יִמְשָׁל־בָּֽךְ:  v’hu yimshol bach)”

M’sh’l is one of two words for ruling over – the more usual being m’l’ch. It too has a second meaning – to be a comparison, from which we get the idea of proverbs/parables which show us a truth by virtue of a difference. The first time we have the word is in the creation of the two great lights which will m.sh.l the day and the night in Genesis 1:16-18. Are they ruling over the day and the night or are they providing a point of comparison? Is the man ruling over the woman or does he have a comparable function of creativity? Her passion is for him, a necessary partner for the creation of children. His comparable creativity is to work the land, to bring forth food alongside the thorns and thistles that grow there.  He is not described as her master/ba’al but as her ish/man, the equal partner of her status as isha.

Can one read these verses in this way, of the passing on of the ability to create through the seriously hard work of the two protagonists?

The next (and final) time we meet the word itz’von is at the birth of Noach, ten generations after Adam and the pivot to the next stage of the story, indeed the rebirth of creation after the earth is so corrupted that God chose to destroy it by flood.

We hear that Lamech, the father of Noach says

וַיִּקְרָ֧א אֶת־שְׁמ֛וֹ נֹ֖חַ לֵאמֹ֑ר זֶ֠֞ה יְנַֽחֲמֵ֤נוּ מִֽמַּֽעֲשֵׂ֨נוּ֙ וּמֵֽעִצְּב֣וֹן יָדֵ֔ינוּ

מִן־הָ֣אֲדָמָ֔ה אֲשֶׁ֥ר אֵֽרֲרָ֖הּ יְהוָֹֽה

“And he called his name Noach (rest) saying, this one will comfort us from our work and the itz’von/ creativity/  work of our hands, (which arises) from the land which God cursed” (Gen 5:29)

It is a deliberate reminder of the story of Adam and Eve and their given roles to bring forth new life (both human and plant) with as much creativity and manipulation of the environment as they needed. It is a reminder that God changed the role of the land through the curse, which gave humanity the challenge to provide themselves with food as creatively as they could. It is a signal that another creation is about to happen, Noach will be part of that change, though quite how that was to work out was not clear to his father Lamech. He was hoping for N.CH. for rest. He was hoping for the accompanying and phonically similar comfort. But this isn’t what God was going to do, as anyone who had read the earlier chapter would know. Creativity, forming new people and working the land is not a restful or a comfortable experience. It is backbreaking work physically, it is emotionally draining and challenging. Anyone who has worked so much as a window box will know how things grow that you don’t expect, how plants carefully fostered will not necessarily flower, or even if they do may not be the one you anticipated. Anyone who has nurtured a child will find that they are no blank slate, that they have their own views and their own desires. The children of Adam and Eve provide the first fratricide in bible – surely not something their parents wanted.

So – if we read this difficult passage in the light of the first creation story in the first chapter, where it is abundantly clear that God created humanity with diverse gender, equally, at the same time, and in the image of God, and we choose not to look through the lens of the patriarchy, then we can see that neither man nor woman are cursed, that instead they are blessed with itz’von the ability to form, to fashion, to manipulate and create in their environment in the same way that God had done. We see that the hard work of bringing forth the future is both challenge and blessing. We see that there are always problems – the thistles and the thorns among the grain, the children who learn very quickly to assert their own personalities and say no – and that it is our role to negotiate these problems and grow a good crop/teach good values to the next generation. We have taken the power to form and to fashion our world, for good or for ill. And after the new creation and the covenant with Noach God is leaving us to do it for ourselves. I am pretty sure that that did not include one gender dominating the other, or one people ruling over another.  We left Eden in order to create a world where we had ability and agency. As we start the torah reading cycle once more, it is down to us to use our creativity and our agency and work hard to make our world the best place we can.