Naamah, wife of Noah, sings as she goes about her work. Her voice calls to us as the world is remade

The first thing we learn about Noah is his genealogy  as the generations that separate him from Adam are listed – he is the tenth generation since the creation of humanity and ten is a powerful symbolic number in bible. (Gen5)

The second thing we learn about Noah is a connection between him and the ur-ancestors Adam and Eve, with the verbal root ayin-tzaddi-beit, (the noun itz’von – hard work/ creative work being used earlier for Eve and then for Adam and then not used again in Hebrew Bible)

The third thing we learn is that his name, Noah, meaning ‘rest’ or ‘repose’, but midrashically stretched to mean ‘comfort’ is somehow the counter to the idea of itz’von, that this one,  Noah, y’nachameinu – will comfort us – in our work (ma’asei) and the creative work of our hands (itz’von yadeinu), from the ground which the Eternal has cursed (Gen 5:29)  This is the first time that a name has been explained in bible since the first couple were named.

And the fourth thing we learn is that unlike his nine ancestors, Noah waited a long, long time before having children.  Five times longer than the usual delay – he was 500 years old before fathering a child.

The text has signalled that this man, the tenth generation of human beings, is notable. In some way he is born to mitigate the sheer hard work of creative exertion that has been the lot of human beings since leaving Eden.  And indeed he does alter the course of human history, becoming himself the ur-ancestor for the post-flood generations. And he is a late starter.

Why does Noah wait to have his children? One midrash tells us that God had made him impotent for the first 500 years in order not to have older children at the time of the flood which took place in his 600th year. (Gen Rabbah 26:2). Had his children been wicked they would have been killed alongside the rest of humanity, had they been righteous they would have had to make arks of their own, so the midrash places them at the cusp of adulthood – hence the delay in their births.

A much later commentary (Sefer haYashar) suggests another reason – that Noah knew that he would be bringing children into a corrupt world and chose not to do so. God had to remind him of his duty to find a wife and to have children, and to take that wife into the future in order that more children might  be born after the end of the flood.

I would like to add a third explanation – that just as the child of Sarah was to be the chosen heir to Abraham, so too does the saved remnant of humanity need to be the child of a particular woman.  For the text signals something very powerful about the mother of Shem, Ham and Japhet – she appears five separate times in the bible, and yet her name is omitted from the text.

In all but one of her appearances she is listed after Noah and his sons, and before the wives of the sons, but in the penultimate verse God tells Noah to “Go forth from the ark, you, and your wife, and your sons, and your sons’ wives with you” but they actually leave in a different order –Noah, his sons, his wife and their wives.

It feels like a moment has been missed. That moment is in need of revisiting and the wife of Noah in need of being rescued from her erasure.

The midrash tells us that the wife of Noah had a name, she was called Naamah.  How do they know? Because we know of a Naamah, the daughter of Lamech and Zillah, and sister of Tubal Cain – she is the only single woman listed in these early genealogies (and the other two women are the two wives of Lamech) and so must be of some importance, though the text does not tell us what.  Her name may give us another clue to her special abilities- the root primarily means to be pleasant, but it also has the connotation of melody and of singing. Naamah, whose brothers are each named for an aspect of human activity (the children of Lamech’s other wife, Adah are Jubal, the founder of the music of harp and pipe, and Jabal the patron of tent dwellers and cattle raisers, while her full brother Tubal Cain is the forger of every cutting instrument of brass and iron)is not given a role in the text – but surely her pleasant and calm singing voice forms a backdrop to the story much as the singing of a niggun helps us to focus on our own prayer.

Maybe this is her downfall – the musicality of a woman’s voice has certainly become something to fear for some rabbis and commentators.  Maybe her name had to be erased from the text lest her singing lead us to really notice her, make us ask why Noah waited so long to marry her and have children with her, make us wonder what qualities she had that would lead her to being effectively the second Eve, the mother of all living after the flood.

And there is something else that makes the modern feminist want to winkle out more about this unnamed but significant woman – the later midrash and the mystical literature choose to take her name (pleasant/lovely/musical) and transform her into the feared seductress of men, the woman who married the fallen angel Shamadon and who mothered the most fearful demon of all, Ashmodeus, the king of the demonic world. Whenever a woman is trashed in rabbinic literature, called a seducer, a demon, a killer of babies, a prostitute or a witch– there we know we can find a woman whose strength of mind, whose scholarship, whose sense of self is powerful and outspoken. We find a strong woman who scares a certain kind of weak man. Lilith the first wife of Adam who chose not to be secondary to him; Eve whose actions led to the curse of ceaseless work;  Deborah likened to a wasp who moves from being a judge in biblical text to a teacher of established laws as commentaries take over; Huldah described as an irritant, a hornet; Beruriah the scholarly wife of Rabbi Meir whose end was to be seduced by one of his students and so committed suicide…..

A woman’s voice is her sexuality, and takes her from her assigned role of quiet service to others, to one of power and of public awareness. No wonder poor Naamah was hidden in the text, no wonder that even when God said she should leave the ark immediately after Noah and before her sons and their families, when it came to it she was described as having left after her sons, relegated to the status of secondary character  yet again.  Midrash goes on to trash her further, calling her an idolatrous woman who used her voice to sing to idols (Genesis Rabbah 23) The statement by Abba b. Kahana, that Naamah gained her name (pleasant) because her conduct was pleasing to God is rapidly overturned in majority opinion and recorded texts. She is other, she is frightening, and she is the mother of the demon king. Let’s keep her quiet, unassuming, disappeared….

The role of women beyond child bearing and rearing is sometimes frustratingly alarming to the rabbinic world view. Naamah has adult children who themselves are married – her role is apparently fulfilled, we learn of no further children of Noah after the flood, so what else should she be doing? No doubt she knew, but we can only guess.

There she is, the descendant of Cain, bringing his descendants back into play in the world, providing a sort of redemption to the first biblical murder and fratricide.

There she is, the new mother of all living, as everyone now will descend from her and Noah, bringing to fruition the promise made on the birth and naming of Noah, “’This shall comfort us in our work and in the toil of our hands, which comes from the ground which the Eternal has cursed.”

There she is, released from the burden of Eve, having finished with the work of childbirth and instead supervising the recreation of the post-diluvian world while her drunken husband passed authority to their sons.

There she is, the singer, whose voice echoes the voice of God as the world is once again put back together after the chaos of the flood.

Abba bar Kahana, the 3rd century amora and one of the greatest exponents of aggadah tells us that she was called Naamah (pleasant) because her conduct was pleasing to God. This teaching has been overlaid and overturned in tradition, the idea being apparently too awful for some rabbinic teachers to contemplate. Her conduct was pleasing to God. God noticed her. She was the woman destined to be the mother of all who live since the flood. About time her voice is heard again, singing as she goes about her work.

Women in Public Space – a proud Jewish tradition in danger of being forgotten

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Where has it come from, this strident male voice insisting that women are so dangerous that they must neither be seen nor heard? When did woman, created equally and simultaneously alongside man in the first creation story  (Genesis 1:27) lose that position in the eyes of some commentators so that they not only feel the need to hide women away from the public eye and mute our voices, but go on to claim that this is God’s will as indicated in bible? And then, for good measure, decree that women cannot study these texts for reasons of modesty?

The position of women in Judaism is under assault and despite what some may say, this is essentially a modern phenomenon. Biblical women are strong personalities, active players in the narrative. Sarah, like Abraham, “makes souls” (Genesis 12:5). God tells Abraham “in all that Sarah says to you, listen to her voice (obey her); for through Isaac shall your descendants be called. (gen 21:12) making Sarah as important a transmitter of covenant as Abraham. The other matriarchs are equally powerful players in the narrative, as are many other women in bible. The Talmud tells of the seven prophetesses in bible (BT Megillah 14a) including Deborah, the only person in the book of Judges to actually be seen making judgements for the Children of Israel  who came to her for rulings  (Judges 4:5). Women scholars can be found in our tradition down the years: Talmud records the comments if first century Ima Shalom,  In the 2nd Century Beruriah, daughter of Rabbi Hananiah ben Teradyon was such a scholar that Talmud tells us “she learned three hundred laws from three hundred teachers in one day” (BT. Pesachim 62b).  Rashi’s daughters learned Talmud.

We have archaeological evidence that there were women leaders in the ancient synagogues from the second century on, that they were active participants in ancient Jewish society long before the rabbinic period. Women have affected tradition through the generations, be it taking on mikveh for themselves or creating their own prayers and techines. Even the way we pray the amidah is based on Hannah’s prayer (BT Berachot 31). So why now as the rest of the world is waking to the benefits of women in public space of is one part of the Jewish world going in the other direction? And how can traditional Jews recite Eshet Chayil (Proverbs 31:10-31) which celebrates the  domestic and commercial skills of a good woman, and at the same time declare that the mere presence of a woman in the public sphere will cause licentious thoughts and so must be prevented at all costs?

The segregation of women in prayer and study is a case in point. Mechitza is sometimes cited today as the gold standard of orthodoxy – yet less than a generation ago many orthodox synagogues did not require such a barrier between the sexes. Its origin is neither biblical nor from Temple period – indeed it most likely entered Jewish practise in medieval times from the practises of the people among whom the Jewish people were living. According to Talmud there was only one day in the year when men and women were separated, on the exceedingly festive Simchat Beit Ha’Sho’eva.  (Sukkah 5:1) Fascinatingly, according to the Talmud, on this day in order to prevent too much rowdy behaviour, there was a rabbinic enactment (takkanah) to separate the men and women, and after some trial an error putting the men outside the courtyard and the women inside, then vice versa, the solution was hit upon – to build a gallery above the courtyard and to place the women safely above the fray. Fancy that- a rabbinic enactment changing the plans of the Temple! Imagine the daring to create an architectural reformation that goes against the original divine blueprint.

The Talmudic Rabbis are well aware of this huge dissonance and dislocation in the tradition in order to respond to the people and attempted to support it with a verse from Zechariah, and as all those who study or write response know, supporting verses from the prophetic books are not enough to create Halacha, and most certainly they are not of the category of biblical law. The sleight of hand would be amusingly audacious if it has not meant within the last generation or so that it has disappeared behind the “because I say so” school of responsa, and emerged as a biblical imperative that must not be questioned.

 The area of the Second Temple known as the Ezrat Nashim was not an area designated especially for women as is popularly imagined, but the first courtyard as one entered the Temple precinct and it is clear that both men and women mingled within it. There is no evidence – either textual or physical, that men and women were separated during public worship until the middle ages when we find the statement in the tenth century Tana D’vei Eliyahu that “a man should not stand among women and pray, because he is likely to be distracted by them” – a statement that seems to imply that men are indeed praying alongside women.  

So why in the last few years has one part of the orthodox world chose to focus on taking women out of public space? Why have the laws of tzniut (modesty) become not a spiritual aid, but a stick with which to beat girls and women, to force them to suppress much of their own selves as an act of piety. Posters abound in the frum world, such as the ones shown on this blog, warning women that if they do not wear suitably modest clothing the messiah will not come, they may cause ill health to others and even to themselves, the world is dependent on their covering up and ensuring that no one might notice them at all as women.  There are attempts to silence the voices of women in public, to prevent women singing even at secular events such as Israel Independence Day or Holocaust Memorial Day, although confusingly the responsa about what and where women may sing are so many and varied that what one rabbi may see as the worst possible time and place is noted by another as the only permissible way for women to sing….  And now women’s prayer minyanim are under attack, something that has happened throughout the ages in the Jewish world as attested by the many prayer books left behind, women praying together, studying and reading Torah together, are suddenly in the firing line for some rabbis determined to have a ruling calling them inauthentic, and outside the orthodox fold.

As a woman rabbi trained and working in a progressive stream of Judaism, this concerns me deeply. While I know enough to know how to challenge some of the so called traditions and see them in their context, and can read and critique the responsa which are steering this flight into a mind-set one cannot even really call medieval, I also know that there is a growing determination to control women as never before, and this worries me. Where is it coming from this strident male voice that is insisting that women are dangerous, that sexuality is impure, that authenticity can be found in a mind set so far from biblical and most rabbinic sources as to be from a different world. What is happening in some parts of the Jewish world that it is consuming not only the rights to self expression of women, but also the dynamism and scholarship and thoughtfulness of so many years in order to make a one size fits all costume to clothe and smooth away and hide from view the diversity, the openness and the audacity of our rabbinic ancestors.