Bereishit – For Reishit God Created: Challah, Bikkurim, Ma’as’rot

“Rav Huna said in the name of Rav Matana: The world was created for the sake of three things: For the sake of challah, for the sake of tithes, and for the sake of first fruits. What is the source? “In the beginning, [bereishit] *Or, for the sake of reshit. God created,” and reshit is nothing other than challah, as it is stated: “The first of [reshit] your kneading basket” (Numbers 15:20). Reshit is nothing other than tithes, as it says: “The first [reshit] of your grain” (Deuteronomy 18:4). And reshit is nothing other than first fruits, as it is stated: “The choicest of [reshit] the first fruits of your land…” (Exodus 23:19)”  (Genesis Rabbah 1:4)

. רַב הוּנָא בְּשֵׁם רַב מַתְנָה אָמַר, בִּזְכוּת שְׁלשָׁה דְּבָרִים נִבְרָא הָעוֹלָם, בִּזְכוּת חַלָּה, וּבִזְכוּת מַעַשְׂרוֹת, וּבִזְכוּת בִּכּוּרִים, וּמַה טַּעַם, בְּרֵאשִׁית בָּרָא אֱלֹהִים, וְאֵין רֵאשִׁית אֶלָא חַלָּה, שֶׁנֶּאֱמַר (במדבר טו, כ): רֵאשִׁית עֲרִסֹתֵיכֶם, אֵין רֵאשִׁית אֶלָּא מַעַשְׂרוֹת, הֵיךְ דְּאַתְּ אָמַר (דברים יח, ד): רֵאשִׁית דְּגָנְךָ, וְאֵין רֵאשִׁית אֶלָּא בִּכּוּרִים, שֶׁנֶּאֱמַר (שמות כג, יט): רֵאשִׁית בִּכּוּרֵי אַדְמָתְךָ וגו’.

We have other rabbinic statements about the world and three things – for example in Mishnah Pirkei Avot we read  “Shimon the Righteous was from the remnants of the Great Assembly. He would say, “On three things the world stands: on the Torah, on prayer/worship and on acts of lovingkindness.” Pirkei Avot 1:2

And  Rabbi Shimon ben Gamliel says, “On three things the world stands: on judgment, on truth and on peace, as it is said (Zachariah 8:16), ‘Judge truth and the justice of peace in your gates.'”  (Pirkei Avot 1:18)

Much of Jewish philosophy is predicated on the relationship between God, Torah, Israel and/or Creation, Revelation, Redemption… but Rav Matana’s statement as reported by Rav Huna speaks of something even more foundational. 

Why did God create the world? This is a question that intrigues theologians of every stripe and in every era. And Rav Matana has an answer – for the sake of the three “reishit” found in the biblical text.  He ties this to the almost untranslatable “b’reishit”, reading it not as “at the first” (or for those who love the KJV version “in the beginning” but “for the first things”.

At first glance we can see that the reference is to three significant concepts in Jewish thought – Challah, Bikkurim (first fruits) and Ma’as’rot (tithes) are all things that the religious Jew living on the Land of Israel are expected to offer up rather than take for themselves, they are all offered to God both to acknowledge that God is the source of these products (and therefore the source of the blessing they bring), and to show gratitude that God has provided them.

All three are foods that we give away at least a part of – they remind us that we are not the owner of our provisions, that we have responsibility to feed and support others, that the world is created for us to share.

And in effect, all three are used in repeated iterations of ritual to remind us that ultimately we are dependent on God for our food and for our continued existence.

 As Moses warns the people in one of his final homilies, and as we take into our own Birkat Hamazon liturgy (Grace after Meals)

וְאָכַלְתָּ וְשָׂבָעְתָּ וּבֵרַכְתָּ אֶת־יְהֹוָה אֱלֹהֶיךָ עַל־הָאָרֶץ הַטֹּבָה אֲשֶׁר נָתַן־לָךְ׃ הִשָּׁמֶר לְךָ פֶּן־תִּשְׁכַּח אֶת־יְהֹוָה אֱלֹהֶיךָ לְבִלְתִּי שְׁמֹר מִצְוֺתָיו וּמִשְׁפָּטָיו וְחֻקֹּתָיו אֲשֶׁר אָנֹכִי מְצַוְּךָ הַיּוֹם׃

פֶּן־תֹּאכַל וְשָׂבָעְתָּ וּבָתִּים טֹבִים תִּבְנֶה וְיָשָׁבְתָּ׃ וּבְקָרְךָ וְצֹאנְךָ יִרְבְּיֻן וְכֶסֶף וְזָהָב יִרְבֶּה־לָּךְ וְכֹל אֲשֶׁר־לְךָ יִרְבֶּה׃

וְרָם לְבָבֶךָ וְשָׁכַחְתָּ אֶת־יְהֹוָה אֱלֹהֶיךָ הַמּוֹצִיאֲךָ מֵאֶרֶץ מִצְרַיִם מִבֵּית עֲבָדִים׃ הַמּוֹלִיכְךָ בַּמִּדְבָּר  הַגָּדֹל וְהַנּוֹרָא נָחָשׁ  שָׂרָף וְעַקְרָב וְצִמָּאוֹן אֲשֶׁר אֵין־מָיִם הַמּוֹצִיא לְךָ מַיִם מִצּוּר הַחַלָּמִישׁ׃

הַמַּאֲכִלְךָ מָן בַּמִּדְבָּר אֲשֶׁר לֹא־יָדְעוּן אֲבֹתֶיךָ לְמַעַן עַנֹּתְךָ וּלְמַעַן נַסֹּתֶךָ לְהֵיטִבְךָ בְּאַחֲרִיתֶךָ׃

וְאָמַרְתָּ בִּלְבָבֶךָ כֹּחִי וְעֹצֶם יָדִי עָשָׂה לִי אֶת־הַחַיִל הַזֶּה׃ וְזָכַרְתָּ אֶת־יְהֹוָה אֱלֹהֶיךָ כִּי הוּא הַנֹּתֵן לְךָ כֹּחַ לַעֲשׂוֹת חָיִל לְמַעַן הָקִים אֶת־בְּרִיתוֹ אֲשֶׁר־נִשְׁבַּע לַאֲבֹתֶיךָ כַּיּוֹם הַזֶּה׃ {פ}

וְהָיָה אִם־שָׁכֹחַ תִּשְׁכַּח אֶת־יְהֹוָה אֱלֹהֶיךָ וְהָלַכְתָּ אַחֲרֵי אֱלֹהִים אֲחֵרִים וַעֲבַדְתָּם וְהִשְׁתַּחֲוִיתָ לָהֶם הַעִדֹתִי בָכֶם הַיּוֹם כִּי אָבֹד תֹּאבֵדוּן׃

When you have eaten your fill, give thanks to the ETERNAL your God for the good land given to you.  Take care lest you forget the ETERNAL your God and fail to keep the commandments, rules, and laws that I enjoin upon you today.  When you have eaten your fill, and have built fine houses to live in, and your herds and flocks have multiplied, and your silver and gold have increased, and everything you own has prospered, beware lest your heart grow haughty and you forget the ETERNAL your God—who freed you from the land of Egypt, the house of bondage; who led you through the great and terrible wilderness with its seraph serpents and scorpions, a parched land with no water in it, who brought forth water for you from the flinty rock; who fed you in the wilderness with manna, which your ancestors had never known, in order to test you by hardships only to benefit you in the end— and you say to yourselves, “My own power and the might of my own hand have won this wealth for me.” Remember that it is the ETERNAL your God who gives you the power to get wealth, in fulfilment of the covenant made on oath with your fathers, as is still the case. If you do forget the ETERNAL your God and follow other gods to serve them or bow down to them, I warn you this day that you shall certainly perish; like the nations that GOD will cause to perish before you, so shall you perish—because you did not heed the ETERNAL your God. (Deuteronomy 8:10-20)

As we dismantle our succot, used to remind us of the fragility of our existence and the importance of not only working with and caring for our environment to provide ourselves with enough food but also of recognising the ultimate Source of both environment and food, this midrash is a timely reminder that our physical world should never be taken for granted.

But Judah Loew ben Bezalel, known as the Maharal of Prague (1524-1609) had a different perspective on the items in this midrash.

His world view was ordered and structured – the natural realm of order (seder) and the exceptional or transcendent moments within it (nivdal).  A single unified reality can be layered into different dimensions, and those dimensions relate to each other either actively, or as acted upon. (P’al / Niphal)

And when the different levels or elements of reality interact, they can either stay the same and unique (yesodot) , become a mixture of two or more separate and recognisable units (ta’aravot), or else they become something entirely new (tark’ovot).

For the Maharal, the three things for which the world was created – challah, bikkurim and ma’aserot –reflect these three realities –

The bikkurim – the individual first fruits – are the yesodot.   The bikkurim are taken from the first ripening fruits of the seven species of Israel –  Deuteronomy 8:8 speaks of the Land of Israel as “A land of wheat, and barley, and vines, and fig trees and pomegranates; a land of olive oil and (date) honey. Any farmer was commanded to notice the first ripened fig or bunch of grapes or pomegranate etc and to mark it, declaring that these are the bikkurim. They would then bring them to the Temple in Jerusalem and offer them to the priests.  The mitzvah is focused on individual fruits, and the actions of the individual farmer, and so exemplify the individual nature of this reality.

The ma’as’rot is different – it refers to the grains of wheat or barley, harvested at different times according to the summer and winter rains. One cannot separate a grain, so the farmer was to aggregate the harvested grains, separate out a tenth, which can then be offered. The scale of the tithe is very different to that of bikkurim – tithing grain is a much larger operation, yet the individuality of each grain remains distinct. It is as if the individual retains their individuality, but is also part of a bigger group – a community, a people. This is ta’aravot

And finally Challah – Challah dough is a mixture of ground grain (flour) and water, with maybe the addition of salt or of oil. But once mixed, none of these components can be unmixed, nor can they be recognised as their individual parts.  A new thing has been brought into being, a fully unified creation (tark’ovot). And this too is offered to God in gratitude and understanding.

The Maharal understands the three – bikkurim, ma’as’rot and challah – as being points on a journey of creation. We begin as self interested individuals, gradually we mix and join with others, forming relationships, propinquity,  community; and finally we create a new thing entirely, where each of us has an important role but where separation becomes unnecessary – we have completed the task we were created for.

And the Maharal  understood too that God created each stage, that each point on the journey is iterated and reiterated until we come to our final days.

So why was the world created for the sake of challah, bikkurim and ma’as’rot? One might say it was created to teach us humility, to teach us the importance of developing mutual relationships, to teach us community and the recognition of the value of each other, and to teach us gratitude.

Not a bad lesson to take with us into the coming year.

בָּרוּךְ אַתָּה יְהֹוָה אֱלֹהֵינוּ מֶלֶךְ הָעוֹלָם שֶׁהֶחֱיָנוּ וְקִיְּמָנוּ וְהִגִּיעָנוּ לַזְמַן הַזֶּה:

Blessed are You Eternal our God, Sovereign of the Universe, who has kept us alive and established us and brought us to this season.

Beshallach/ Shabbat Shira: the Song of Miriam

“And Miriam the prophetess, the sister of Aaron, took a timbrel in her hand; and all the women went out after her with timbrels and with dances. And Miriam sang to them: Sing ye to the Eternal for God is highly exalted: the horse and its rider God has thrown into the sea.”

Shabbat Shira, the Sabbath of Song, is named for the Song at/of the Sea (Shirat haYam) and this name takes precedence over the usual format of the first important word giving the title to the week. Shirat haYam was the song of victory sung by the Israelite slaves after they had successfully crossed the Reed Sea, and the pursuing Egyptians had drowned there following the miraculous opening and then closing of the waves to allow the Israelites safe passage but not the heavily armed Egyptians.

Along with the poem in Deuteronomy (Ha’azinu) it bookends the story of Moses and the people of Israel as they leave Egyptian slavery and journey through the wilderness to arrive at the edge of the promised land, and tradition ascribes its authorship to Moses.

But tucked into the text a little way down we are introduced for the first time by name to Miriam, described as “Miriam the prophetess, the sister of Aaron” and she takes a drum in her hand and leads the women in singing and dancing and drumming to celebrate the victory. And while apparently singing the same first line, Moses and the children of Israel sing “I will sing to the Eternal, for God is highly exalted” while Miriam sings “Sing to the Eternal, for God is highly exalted”. She uses the imperative version, whereas Moses and the Israelites use the personal pronoun.

The order of the text makes us read this as the song of Moses, but is there a clue in the wording of the text to tell us that this is the song of Miriam?

In the fragments of text found in Qumran (known as the Dead Sea Scrolls) we find a tantalising addition. Just as in the biblical text we find that “Miriam the prophetess, the sister of Aaron took a timbrel in her hand and led the women out with her with timbrels and dancing”, but then there is a break, and then the fragments of seven lines NOT found in the biblical text, followed by the narrative being picked up as the biblical verse 15:22 where Moses leads the Israelites away from the Reed Sea into the desert, and the people find no water until arriving at Marah they find undrinkably bitter (Marah) water.

Is the Qumran text a gloss on the biblical poem of Moses, answering the question of what Miriam might have sung and paralleling other songs of victory or was it the original text which took away words from Miriam and the women in order to give them to Moses and the Israelites? We know that women sang songs of victory after battles – Deborah is a prime example whose song is recorded (Judges 5), and Jephthah’s daughter (Judges 11:34) comes out with timbrel and dancing on his return home. Unnamed women come out dancing and singing with their timbrels when David returns having defeated the Philistines (1Sam 18:6-7) celebrating his success and humiliating King Saul’s record. Hannah (1Sam:2) sings when she achieves her goal of a child, and the late book Judith has her sing in the final chapter, having beheaded Holofernes…

So why not Miriam and the women singing their song? Miriam the prophetess was also Miriam the musician and song leader. Her voice and her words deserve to be heard and to be recognised.

miriams timbrel

Whatever the reason for the biblical canon to contain just the remnant of her singing with the women, apparently echoing the words of Moses and the men, so that tradition could claim her as the song leader for the women only, I think there are enough clues left for us to give her the power and place she deserves.

The first place that Moses leads the Israelites to is called by the narrator “Marah” , after the bitter and undrinkable water found there and there is much murmuring against Moses until on God’s instructions he finds a tree whose wood will sweeten the water. Moses uses this as a teaching aid to remind the people that God is their healer, and then they move on to Elim where there are twelve good water sources and seventy palm trees. Is this a veiled reference to Miriam, whose name is impossible to translate with certainty but which is often understood as coming from “Mar – yam – bitter – water/sea”? Are the people murmuring because of Miriam and her treatment by Moses that he appropriated her rightful role? And are they pacified by the oasis of plenty represented by 12 springs and seventy palm trees and so forget their indignation?

But more intriguing I think is the possibility that Miriam’s name is not derived from bitterness MRH) but comes from a rarely used root MRR to mean a flow of water, drops of water or a watercourse. In which case her name would mean the flowing of water or the directing of water – something that would come to fruition not only in the midrashic idea that wherever Miriam was there was water for the Israelites in the desert (which comes from the drought that is the first reported event after her death), but from this text about the Reed Sea, which changed direction, flowed differently and intentionally while the Israelites crossed it. The name Miriam, introduced exactly here, is I think a clue to her purpose –  we are already explicitly told that she is a prophetess, she has real and intentional meaning and understanding – it is Miriam who causes the sea to part and the miraculous redemption of the fugitive people. Her name, hiding in full view, tells us exactly that.

So the Song here attributed to Moses yet called slightly confusingly Shirat HaYam , the Song of (or at) the Sea (a name first recorded in the 2nd Century in Talmud Yerushalmi), might actually have been Shirat MirYam, the song of Miriam. And how powerfully that simple change could have affected our understanding of our foundational texts and shaped the hearing of the voices of women in our tradition.

Drop by drop as we look again at the texts, we who see Miriam as a role model, who see ourselves reflected in her life as prophetess, sister, organiser, carer for children, provider of life giving water/nourishment, song leader, drummer and dancer , as well as a hard worker behind the scenes who protested injustice done to others and the arrogating of power to the male leadership – we need to take notice of the effect that the flow of water can have – it can wear away the hardest rock. Drop by determined drop we take up her mantle and raise our voices in song and in challenge and in prophecy, and hope that this time the words will not disappear from the canon.

(Photo of Miriam’s timbrel and the reeds in Egypt/water of the Reed Sea from an embroidered Torah Wimple made by Caroline and Naomi Ingram for the author)