Terumah – the riddle of the cherubim

“Make two cherubim of gold—make them of hammered work—at the two ends of the cover.  Make one cherub at one end and the other cherub at the other end; of one piece with the cover shall you make the cherubim at its two ends. The cherubim shall have their wings spread out above, shielding the cover with their wings. They shall confront each other, the faces of the cherubim being turned toward the cover. Place the cover on top of the Ark, after depositing inside the Ark the Testimony that I will give you. There I will meet with you, and I will impart to you—from above the cover, from between the two cherubim that are on top of the Ark of the Testimony—all that I will command you concerning the Israelite people.” (Exodus 25:16-22)

וְעָשִׂ֛יתָ שְׁנַ֥יִם כְּרֻבִ֖ים זָהָ֑ב מִקְשָׁה֙ תַּעֲשֶׂ֣ה אֹתָ֔ם מִשְּׁנֵ֖י קְצ֥וֹת הַכַּפֹּֽרֶת׃ וַ֠עֲשֵׂה כְּר֨וּב אֶחָ֤ד מִקָּצָה֙ מִזֶּ֔ה וּכְרוּב־אֶחָ֥ד מִקָּצָ֖ה מִזֶּ֑ה מִן־הַכַּפֹּ֛רֶת תַּעֲשׂ֥וּ אֶת־הַכְּרֻבִ֖ים עַל־שְׁנֵ֥י קְצוֹתָֽיו׃ וְהָי֣וּ הַכְּרֻבִים֩ פֹּרְשֵׂ֨י כְנָפַ֜יִם לְמַ֗עְלָה סֹכְכִ֤ים בְּכַנְפֵיהֶם֙ עַל־הַכַּפֹּ֔רֶת וּפְנֵיהֶ֖ם אִ֣ישׁ אֶל־אָחִ֑יו אֶל־הַכַּפֹּ֔רֶת יִהְי֖וּ פְּנֵ֥י הַכְּרֻבִֽים׃ וְנָתַתָּ֧ אֶת־הַכַּפֹּ֛רֶת עַל־הָאָרֹ֖ן מִלְמָ֑עְלָה וְאֶל־הָ֣אָרֹ֔ן תִּתֵּן֙ אֶת־הָ֣עֵדֻ֔ת אֲשֶׁ֥ר אֶתֵּ֖ן אֵלֶֽיךָ וְנוֹעַדְתִּ֣י לְךָ֮ שָׁם֒ וְדִבַּרְתִּ֨י אִתְּךָ֜ מֵעַ֣ל הַכַּפֹּ֗רֶת מִבֵּין֙ שְׁנֵ֣י הַכְּרֻבִ֔ים אֲשֶׁ֖ר עַל־אֲרֹ֣ן הָעֵדֻ֑ת אֵ֣ת כָּל־אֲשֶׁ֧ר אֲצַוֶּ֛ה אוֹתְךָ֖ אֶל־בְּנֵ֥י יִשְׂרָאֵֽל׃

I have always loved cherubs. It is a love I inherited from my grandmother who had several decorating her homes.  And I too occasionally add to my own collection of sweet faced plump winged babies.

But the cherubim of bible should not be viewed as these somewhat kitsch figures – we do a great disservice to the text to fall into this cosy view.

We first meet the cherubim in the book of Genesis at the denouement of the second creation story: “God drove the human out, and stationed east of the Garden of Eden the cherubim and the fiery ever-turning sword, to guard the way to the tree of life. (Gen 3:24 )

וַיְגָ֖רֶשׁ אֶת־הָֽאָדָ֑ם וַיַּשְׁכֵּן֩ מִקֶּ֨דֶם לְגַן־עֵ֜דֶן אֶת־הַכְּרֻבִ֗ים וְאֵ֨ת לַ֤הַט הַחֶ֙רֶב֙ הַמִּתְהַפֶּ֔כֶת לִשְׁמֹ֕ר אֶת־דֶּ֖רֶךְ עֵ֥ץ הַֽחַיִּֽים׃ (ס)

Their purpose is to prevent the human beings gaining access back into the garden and eating from the tree of life, something that we know will mean humanity acquiring  eternity, a characteristic of the divine that is denied to mortals.

Wherever the cherubim appear we are in sacred space. While the word appears almost a hundred times in the Hebrew bible, we know very little about them except for the fact they were winged. How many wings seems to be unclear – it varies in different descriptions. Sometimes they are clearly representational figures such as in Solomon’s Temple, at other times God flies in the skies, carried by the cherubim.

“In the Shrine he [Solomon]  made two cherubim of olive wood, each 10 cubits high. [One] had a wing measuring 5 cubits and another wing measuring 5 cubits, so that the spread from wingtip to wingtip was 10 cubits;  and the wingspread of the other cherub was also 10 cubits. The two cherubim had the same measurements and proportions:  the height of the one cherub was 10 cubits, and so was that of the other cherub.  He placed the cherubim inside the inner chamber. Since the wings of the cherubim were extended, a wing of the one touched one wall and a wing of the other touched the other wall, while their wings in the centre of the chamber touched each other.  He overlaid the cherubim with gold.”   These are huge figures, over twenty feet high, with matching enormous wingspans, dominating the inner chamber. Yet we know them to be olive wood, representations – but of what? And to what purpose? Will God speak to the people from above them?

The most famous depiction of the cherubim is that of Ezekiel, who was among those sent into exile with the king in 597BCE (see 2K 24:14-16) At a body of water he calls the Nehar Kevar, (the Kevar canal) he has a vision. This canal appears to be the area in Babylonia where the exiled Jews were settled and is separately documented in Akkadian literature. He documents part of his vision thus:

“The cherubs ascended; those were the creatures that I had seen by the Kevar Canal. Whenever the cherubs went, the wheels went beside them; and when the cherubs lifted their wings to ascend from the earth, the wheels did not roll away from their side. When those stood still, these stood still; and when those ascended, these ascended with them, for the spirit of the creature was in them. Then the Presence of the Eternal left the platform of the House and stopped above the cherubs.  And I saw the cherubs lift their wings and rise from the earth, with the wheels beside them as they departed; and they stopped at the entrance of the eastern gate of the House of the Eternal, with the Presence of the God of Israel above them.  They were the same creatures that I had seen below the God of Israel at the Kevar Canal; so now I knew that they were cherubs.” Ezekiel 10:15-20

Now it is well known in ancient near eastern mythologies – and even in later western ones –  that the divine being rides some kind of chariot pulled by some types of mythic beasts, and I am certain that the cherubim of the bible must have their origin within even older mythologies.   But that doesn’t really explain their presence in our sacred space, using their wings in some kind of protective way, guarding the area between God and us – for God is often depicted as being seated above the cherubim (for example Hezekiah’s prayer recorded in the book of Isaiah speaks of God “enthroned above the Cherubim”

There is no sense of the cherubim being in any way angelic or quasi divine in the Hebrew bible, they fulfil no role in bridging the space between us and God. They simply are there, figures beyond which we cannot see or go.  The idea of their being in some way angelic comes in later commentaries , so while both Rashi and Ibn Ezra see nothing angelic in the cherubim, the midrash in Genesis Rabbah 21 suggests that they were beings who were created on the third day, with no definite shape or form, while the Tanna d’bei Eliyahu (10th century) believes them to have been part of the group created before the beginning of our world., Bachya ben Asher  in 14th century Spain also believes they are angels but intriguingly he has a reason – it is important to believe in angels because prophecy can only happen through the mediation of an angel, and given that the God speaks to Moses from above the cherubim, these must logically be angels. There are two of them above the ark, to make clear that they are not the image of the one God.

So while there is much speculation about what the Cherubim might be, their connection to the mythic beasts of other traditions – gryphons or sphinxes, centaurs or Assyrian Lamassu, or the way they may have segued into Judaism from the Akkadian winged bulls the kirubu or the shedim that guarded palaces– the reality is, as is often the case, hidden in the past. So by the time of the Talmud it is clear that no one knew much about the cherubim.  There are several discussions recorded including the one found in Chagigah 13b

“What is the meaning of “cherub”? Rabbi Abbahu said: Like a baby [keravya], for in Babylonia they call a baby ravya. Rav Pappa said to Abaye: However, if that is so, what is the meaning of that which is written: “The first face was the face of the cherub, and the second face was the face of a man, and the third the face of a lion, and the fourth the face of an eagle”? The face of a cherub is the same as the face of a man; what is the difference between them? He replied: The difference is that the face of a man is referring to a large face, whereas the face of a cherub means the small face of a baby.”

It is from this and other passages that the elision from guardian of the divine mystery to cupid-like plump baby boy has occurred, and we have stopped really asking ourselves about the purpose of the cherubim in the Hebrew bible.

Clearly the cherubim serve God, and clearly too they provide a barrier or boundary between the sacred and the mundane; they prevent us from coming to close to the mystery.

But what do they represent to us? What function do they have? We assume that God does not need the protection the cherubim provide, so are they there to protect us?

There is a wonderful, almost transgressive piece in Talmud about the cherubim and what they were doing.

“Rav Ketina said: When the Jewish people would ascend for one of the pilgrimage Festivals, the priests would roll up the curtain for them and show them the cherubs, which were clinging to one another, and say to them: See how you are beloved before God, like the love of a male and female. The two cherubs symbolize the Holy One, Blessed be God, and the Jewish people.” (Yoma 54a)

Throughout the tradition there is a thread which asks – what do the cherubim say to us, what are they symbolising?

Rav Ketina stretches the point of the almost to breaking in order to teach that the two figures which are touching at the wingtips, (and whose spreading wings as described in the Exodus passage above, uses a phrase also used as a euphemism for sex elsewhere in bible).  So he posits that the two figures looking at each other, touching each other, are symbolic of God and Israel, entwined in a relationship of love. (Even more unusual of course is the idea that the people got to see the cherubim but that is for another day.)

Later commentators take up the male-female balance of the cherubim explicated by Rav Ketina and suggest that this is not symbolising God and Israel, but reminding us of the imperative to have children and create the next generation.

There are other suggestions as to what the cherubim might symbolise – different attributes of God, mercy and justice, the importance of contact with the other, teacher and pupil, study partners, the mystical world and the world we can know, the bringing close and the keeping of boundaries…..

The text tells us that the cherubim are shielding the cover of the ark with their outstretched wings and they are facing each other and also looking slightly downwards at the cover. To me it is an image of a partnership of protection and support. There is something enveloping about those wings creating a space within them as they touch each other, rather as an adult holds a baby, or a comforter holds the comforted, or lovers hold each other close. The fact that they are both gazing towards the thing they are holding, and their faces are turned towards each other adds to the sense of intention. These are no guards to keep away the people seeking God, no fearsome bouncers keeping us out of sacred space, but protective and nurturing figures, taking care of a precious object. Rather like their parallel the Sphinx, they pose a riddle for the traveller, a riddle whose answer is firmly human focused.

They are not angels, but they prefigure what will be as religion becomes institutionalised, and we have to ask ourselves how will we nurture the word of God in our time and space? How will we show love? How will we communicate? How will we see the other who is just like us but who is not us? How will we protect the sacred and yet allow the word of God to come into the world?

The questions implied and threaded through the appearance of the cherubim almost one hundred times in our bible are questions that challenge us. They ask how God is brought into our world, and each one of us is part of the answer.




Vayetzei: The Importance of Awe

Jacob awoke from his sleep and said “Surely God is in this place and I, I did not know”. He has a sense of wonder, and he expresses it:  “How full of awe is this place. This is none other than the house of God, and this is the gate of heaven”

The phrase “Ma nora ha’makom ha’zeh, ein zeh ki im beit Elohim” (How full of awe is this place, this is none other than the house of God”) is part of the stonework on the exterior of the synagogue I   grew  up in, and as one walked in and looked up, that is the sentiment one felt – even though it is situated in what is now inner city Bradford, on a less than salubrious road.

The religious message I received as a child was bound up in this synagogue, in the community of people and in the building they worshipped in. It was a two-fold message- Firstly that we can encounter God wherever we are, for God is always ‘in this place’ as are we, and often we do not notice how close God can be to us.

Secondly it was made clear that awe is a necessary instinct;  God is beyond our comprehension or reason, and we must respect that reality. We have to live with not being able to control God or demand from God or expect to understand God.

When we pray, what are we really doing?

Abraham Joshua Heschel (1907-1972) was a scholar, theologian and social activist. He wrote “the predicament of prayer is twofold: not only do we not know how to pray, we do not know what to pray for.  We have lost the ability to be shocked.”

Heschel also suggested that we have overemphasized intellectual ideas when we think about religion, and that we also overemphasise religious belief; For Heschel religion is more like a way of being in the world, a way of facing life and dealing with it.

In Judaism, ‘Believing’ is not the most important thing for a religious Jew, but Awe, or the ability to be shocked is the fundamental requirement.  The bible talks of the religious person as one who is yirat Adonai, or yirat shamayim – in awe of God or in awe of heaven. Without a sense of awe, without the ability to be shocked or moved by what we see around us, we can never really move on to encounter God, or develop a sense of faith.

I have lost count of the number of times that I have been told in my rabbinate that someone doesn’t really believe in God;  the number of apologies that somehow come my way. I never quite know as a rabbi how to help people to believe in God if that is what they think they want, but what I am sure of is that the beginning of such a journey is Awe.

When Jacob first encounters God he notices how the place is filled with Awe, and he had not understood it. It takes time, and possibly even a certain vulnerability for us to open ourselves to noticing God.

Many of our services begin with the phrase “v’ani tefilati lecha Adonai eit ratzon” usually translated as “and as for me, let my prayer come before you God at a favourable time”, but it is more complex than that, meaning something more like and I am my prayer to you God at a favourable time”. We are in fact our own prayers – if only we would let ourselves be so. Rabbi Lionel Blue once wrote “Meeting God can be simple, but nothing can happen if we do not will it. If we seek God then God can be found. God will allow us to find God if we seek with all our will” (RSGB Machzor p 312)


One of the lessons from this sidra is how easy it is not to notice how close God can be to us if we do not choose to open ourselves to the possibility.  And we sometimes need help to do this. Beautiful places, whether natural or built by human beings, can help us catch the numinous. Too narrow a focus on what we are doing, our goals and aspirations, our desire not to look back – all can stop us being aware and in the moment.

The ability to be shocked, to notice and to understand the implications of what has become normalised – this is the skill we need to nurture. The ability to be moved by what we see and hear, rather than to blot it out or cover it with our own inner monologue. Jacob left his comfort zone when he left his home, and only then did he meet God. We may not need to leave our homes, but we too need to go out as he did – vayetzei – and begin to pay attention to all we have ignored.bradford interior






Chukkat: Obituary for Miriam the Prophetess and one of the leadership triumvirate

We have learned this week of the death of Miriam bat Amram v’Yocheved of the tribe of Levi. Born in Egypt, the oldest child in the family with two younger brothers Aaron and Moses, Miriam kept faith with the religious tradition of her ancestors in the darkest times, even prophesying the birth of her youngest brother Moses and predicting that he would be the one who would deliver their people to freedom (BT Sotah11- 12b). Along with her brothers she was part of the leadership that brought the Hebrew slaves out of Egypt and into the desert. Sadly she has not lived to see the end of the journey, but her leadership – particularly of the women – was critical to its success.

Miriam had a particular affinity with water. Even her name reminds us of it, variously translated as ‘bitter seas’ (Mar Yam) or even “doubled water” (depending on whether one sees the letters mem reish as deriving from bitterness or of water. We first meet her at the water’s edge, saving her little brother Moses adrift in the Nile reeds. (Exodus 2:4-9) She is a powerful figure at the Sea of Reads and her song of praise became the basis for the rather more famous (and more fully recorded in bible) song of her brother, Shirat haYam. (Exodus 15) Luckily the Dead Sea Scrolls have recorded more of her verses than the biblical editor thought fit to include.(4Q365).  And of course we must not forget Miriam’s well which followed her in the wilderness and which provided much needed refreshment for the Children of Israel, was a miracle provided because of her merit. (Ta’anit 9a).

Bible called her a prophet and indeed Miriam was a great prophet of Israel, though sadly she has no book named for her prophesies, an oversight to be much deplored.

Her name might also allude to the idea of rebellion – a role model for all Jews, Miriam thought for herself and did not acquiesce to the ideas of others without challenge. It was this characteristic that gave her the will to challenge her parent’s decision (and that of the other Jewish adults) to no longer have relations in order that no children would be born – some say that they all divorced so as to prevent a new generation being born into slavery. But Miriam’s refusal to be party to this pessimistic arrangement meant that not only did she and her brother Aaron dance and sing at the remarriage of their parents, but that other families followed suit. Her rebellious spirit was vital in keeping the people alive and hopeful. (BT Sotah 12a; Mekhilta de-Rabbi Simeon bar Yohai 6). Indeed such was her role in preserving the last generation to be born in Egypt, there are some who say that the midwife Puah was in fact Miriam herself.  In part this connects to her rebellious nature. There are those who say that she was insolent (hofi’ah panim – lifted her face) toward Pharaoh when she heard his edict to kill all baby boys born to the Hebrew women, and looked down her nose at him. She told him: “Woe to you on the Day of Judgment, when God will come to demand punishment of you.” Pharaoh was so enraged at her behaviour that he wanted to kill her. She was saved only because Yocheved intervened, saying “Do you take notice of her? She is a baby, and knows nothing” (Ex. Rabbah, 1:13).  Miriam found it hard to keep her mouth shut at that, but luckily she did so.

While it is not clear who Miriam married – indeed if she married at all – there are some who say she married Caleb and other who say she married her uncle Uzziel. Clearly these marriages were unimportant in the public sphere in which she worked, but it is said that her children were sages and kings because she had stood up to the evil decree of Pharaoh and also persuaded the Hebrews to continue to procreate. Bezalel is said to have descended from her, as is King David.

While this writer does not see the need to describe family for Miriam – either to explore whether she married or had children – it is gratifying that the midrashic tradition felt, in its own terms, that she deserved to be rewarded for her integrity and willingness to speak truth to power. We note that the sons of Moses walk out of history and that two of Aaron’s sons offer strange fire to God, with only the younger two continuing into priesthood, with its ultimately difficult and chequered history.

Miriam was musical, a great timbrel player, and a wonderful song leader and dancer who lifted the spirits of all who saw her. Her liveliness and optimism, coupled with a strong character and a willingness to speak out, make her a superlative role model for Jews everywhere. Her association with water, the living waters from which everything can draw its sustenance, is no accident. Water flows where it will, as did Miriam.

Even when Miriam criticised the fact that her brother Moses had married a Cushite woman and apparently put away Zipporah, the wife of his youth and mother of his two sons, she did so from a position of integrity, challenging her younger brother’s autocratic behaviour and as a result of her good and close relationship with Zipporah, a Midianite woman married into the Israelite leadership family (Sifrei on Numbers 12). She was concerned that Moses was no longer visiting Zipporah who was thus condemned to having no marital comfort and would not be able to bear more children.(Avot de R.Natan ch 9; Sifrei Zuta 12:1; sifra Metzorah 5).

While she was smitten with a skin disease as punishment for the harshness of her words, it must be noted that the whole camp waited for her to heal before moving on. For seven days even the Shechinah, as well as the priests and the Israelites stayed in camp while her tzara’at took its course (Mishnah Sotah 1:9) and it is well understood that this exceptional treatment was a reward for her work supporting Moses as a baby and enabling him to be reunited safely with is mother as his wet nurse, as well as helping in the leadership of the people in the many desert years.

While Miriam died on tenth of Nisan in Kadesh in the wilderness of Tzin, (Sifrei on Devarim 305) her death is recorded here in Chukkat along with that of Aaron. All three of the siblings are buried on the heights of Avarim close to the land of Israel, and Miriam, like her brothers  would later, died by the kiss of God as her soul was gently drawn back from her body (BT baba batra 17a), an ending known as the death of the righteous.

She will not be forgotten. In modern times she is remembered at the Pesach seder with a Cup of Miriam filled with water, and a special prayer; while others add a piece of fish to the seder plate to reference her particular affinity with water.

Sadly however the characteristics of Miriam are sometimes hidden from view or even actively ignored – her prophecy and the determination she had to make her voice heard by people more senior than her are a fundamental part of her character. She spoke out, her voice was heard and followed – in both her capacity to advise and in her song leading, even if her brother then took credit for some of her best works. She was not quiescent in the face of a community that didn’t want change, or that was prepared to put up with injustice and oppression. She was active in both the birth and the rearing of Moses, keeping faith with her idea that here was a child who could be a leader and redeemer of the people. She was an equal partner in leadership, she had her own ideas and her own way of going about things. She was nobody’s ‘yes woman’. Her integrity, her strength of character, her fluidity, her determination to keep life happening, all meant that Miriam’s was a voice that shaped the people, she was heard in the public space, she was respected even when she sometimes said things in a less than careful way, she was warm and caring and people knew it. Moses could be distant, his shyness and insecurities causing him to hide away sometimes. Aaron could be arrogant in his priestly garments and status. But Miriam was accessible to the people and they loved her for it, as she spoke out on their behalf and fought for their rights.

Both the editors of the received text and the creators of midrash have not always dealt kindly with her. There is a rabbinic propensity to see her as bitter or as rebellious to the established order, her voice (already edited at the song of the sea) is not heard again in bible after the episode of the tzara’at; her death is reported without ceremony or sadness.  There are some notable exceptions to the blurring of Miriam in history. The prophet Micah tells us of God’s comment “I sent before you Moses, Aaron and Miriam” (6:4). I cannot help but think that her gender was a problem to later commentators and redactors, something that sadly continues to this day. Yet Miriam is described in bible as a prophet, she sings her own song, she leads the people and she keeps her brothers safe and in relationship with the people.  She is patently a popular leader. When we lose Miriam we lose a righteous and able leader. When we lose the stories of her we risk losing the participation of modern women in the public sphere, rebellious, sassy, open, fluid, willing to speak truth to power and to challenge both adversaries and relatives who would rather we were quiet.

Some women have suggested fasting on the tenth of Nisan as her yahrzeit. That is fine should women want to do this, but I would suggest that we would do her greater honour by speaking out, by rebelling against injustice and against the desire to push women into the private and domestic sphere where they might more easily be controlled, and by bringing the swirling waters of justice and of challenge into the society in which we live.

Bilhah and the man who mistook his wife for his bed

The last sidra in Genesis brings the denouement of the narratives of the rivalries in the founding family down the generations.  Many of the themes we have seen in earlier texts return to be developed or reworked so that a number of outstanding threads can be tied off. Both Jacob and Joseph will die in this sidra, the deaths and burials of the patriarchs and matriarchs will be recalled as Jacob requests he be buried not in Egypt but in the Cave of Machpela where all but Rachel have been laid to rest. There is a deathbed blessing where the two sons of Joseph, Ephraim and Manasseh, are blessed in a scene resonant of the blessings of Jacob and Esau by their father Isaac.  Except here the process of the blessing is explicit, both boys are present together, as is their father who tries to correct Jacob when he offers the ‘senior’ blessing to the younger boy. Jacob, whose eyes are now as dim as his own father’s had been, knows exactly what he is doing and refuses to be corrected, instead offering a blessing that harks back to the words given to his own mother when she enquired of God why she was in such pain – “[the older] also shall become a people, and shall be great; howbeit his younger brother shall be greater than he, and his seed shall become a multitude of nations.”

Reference is made to the dream Jacob had as a young man leaving Canaan where he encountered God and received the covenantal blessing, and the struggle at the Ford of Jabok when he received the name “Israel”. And then he calls his other sons to his bedside to offer them words of – well, words that are described traditionally as blessing, but seem to me to be words of challenge and bluntly painful truth. In the text, only Joseph and his two sons are the recipients of a beracha, the verbal root is not used for any of Jacobs other sons.

I had set myself the task of writing about the women who often hide in plain sight in the weekly sidra. Sadly in Vayechi, the matriarchs are all mentioned, but only in terms of their burials. There are two other women alluded to in the text –the mother of Ephraim and Manasseh,  Osnat/Asenath the daughter of Potiphera, the priest of On (see https://rabbisylviarothschild.com/2016/12/30/miketz-the-strange-case-of-the-disappearing-women-2/ to read about her) and Bilhah, the maid of Rachel who also bears sons with Jacob on behalf of Rachel and whose status seems to move around in the texts . While she is not named here, the event between Reuben and her years earlier are recalled to devastating effect on Reuben, the eldest son of Jacob, who should have been taking his place as the next link in the generational chain, but who is set aside instead, leaving the field clear for Joseph instead.

When we first meet Bilhah in Paddan Aram she is a servant maid: shifcha   השִׁפְחָ  belonging  to Laban and given by him to his younger daughter Rachel on her marriage, just as Zilpah had been given to Leah. (Gen 29:29)

When Rachel fears she will not be able to conceive a child, she gives Bilhah her שִׁפְחָה to Jacob as a wife – isha  הלְאִשָּׁ (Gen 30:3ff), and Bilhah has again been described in this passage as her maid, while  using a different word אֲמָתִי – a servant even less respected in the household than a shifcha.  The word shifcha is used again when Jacob divides his family across the ford of Jabok while fearing what Esau might do to them and her status with Zilpah and their sons is defined when they are put at the head of the procession, in the most danger. After Rachel’s death the narrative refers to her as פִּילֶגֶשׁ – pilegesh, often translated as concubine, but having real legal and social status, and therefore more correctly seen as a kind of secondary wife.

Bilhah herself never speaks. Yet as the mother of Dan and Naftali – albeit as a surrogate for Rachel – she is an ancestress. Even with the surrogacy/adoption process of her children, she and Zilpah (Leah’s maid) are still described as wives of Jacob (for eg Gen 37:2) but they are essentially only seen in relationship to their children. Her relationship with Rachel is coldly transactional from Rachel’s viewpoint. We don’t of course have any record of Bilhah’s feelings. So when Leah names the sons born to Zilpah there is at least some joy in the names and rationales she chooses (Gad= Fortune has come; Asher = happiness) but when Rachel names the sons born to Bilhah there is no such pleasure (Dan=God has judged me; Naftali=I have wrestled with my sister and won) so it seems that poor Bilhah really is only an object to those around her, her body to be used by both Jacob and by Rachel.

Bilhah is surely a candidate for being one of the saddest women in bible. And things only get worse for her after Rachel’s death. She now belongs to Jacob (she is his pilegesh) and in an almost entirely animal dynamic, Reuben his oldest son decides to stage a challenge to the older man by having sex with her.

The text in Genesis 35 is brief, but we can read into it if we look carefully:

 וַיְהִ֗י בִּשְׁכֹּ֤ן יִשְׂרָאֵל֙ בָּאָ֣רֶץ הַהִ֔וא וַיֵּ֣לֶךְ רְאוּבֵ֔ן וַיִּשְׁכַּ֕ב֙ אֶת־בִּלְהָ֖ה֙ פִּילֶ֣גֶשׁ אָבִ֑֔יו וַיִּשְׁמַ֖ע יִשְׂרָאֵֽ֑ל   פ

  וַיִּהְי֥וּ בְנֵי־יַֽעֲקֹ֖ב שְׁנֵ֥ים עָשָֽׂר:

“And Israel dwelt in that land, and Reuven went, and he bedded Bilhah the pilegesh/secondary wife of his father, and Israel heard      [break in the text but not in the sentence]

and the sons of Jacob were twelve.”

Why is there a physical break in the written text? What is it telling us is missing in the story?

What does Israel hear – can it be the screams of pain and distress by the woman Bilhah who has been so victimised by his arrogant eldest son? There is no story of kindness between them as in the story of Dinah and Shechem that is often called rape – so just how terrible must this abuse of power been that poor Bilhah had to endure? And why is her protest erased?

Nothing is said at the time, at least insofar as the text reveals, but Jacob clearly does not forget, and so in our portion this week reference is made in his deathbed words to Reuben.

 רְאוּבֵן֙ בְּכֹ֣רִי אַ֔תָּה כֹּחִ֖י וְרֵאשִׁ֣ית אוֹנִ֑י יֶ֥תֶר שְׂאֵ֖ת וְיֶ֥תֶר עָֽז: פַּ֤חַז כַּמַּ֨יִם֙ אַל־תּוֹתַ֔ר כִּ֥י עָלִ֖יתָ מִשְׁכְּבֵ֣י אָבִ֑יךָ אָ֥ז חִלַּ֖לְתָּ יְצוּעִ֥י עָלָֽה:

“Reuben, you are my first-born, my might, and the first-fruits of my strength; the excellency of dignity, and the excellency of power. Unstable as water, you have not the excellency; because you went up to your father’s bed; then you defiled it–he went up to my couch!”

I don’t know what I find more appalling. The act of Reuben who mindlessly slept with/raped a woman because he wanted to challenge his father and lay claim to his wife, or the ultimate response (after a long silence) by Jacob, who does not even name the woman, but refers to her as “my couch” יצוע, . To these men she is not a person, not a human being at all, but a possession akin to a beautiful piece of furniture whose only function is to show the status of its owner.  When Jacob tells Reuben that he no longer has the status and promise of the eldest son because of this action, it is because ‘hilalta’ – you have profaned/defiled – not the woman but his bed.  And the fact that he repeats the image of his bed being misused, (almost in a staged aside of disbelief at the actions of his son), only makes it clearer to us just how they ignore and erase the act done to this woman – she is either ‘mishk’vei avicha’ the beds of your father (the place where he has sex) or y’tzui – my couch.        Again contrast with the story of Dinah when Shimon and Levi justify their own horrific violence against Shechem with the question that hangs at the end “shall they treat our sister like a prostitute?” Yet here, there is no avenging the act done to Bilhah – she may be the mother to two of their brothers, yet she is less than nothing to them.

Bad as this text is in its erasure of Bilhah and her pain and outrage, sadly there is a tradition which goes on to blame her for Reuben’s act.

In the pseudopigrapha – specifically the text “the Testament of Reuben” we find the need to besmirch and defame Bilhah is given free rein. Written possibly in the second Temple period it follows the literary conceit of a farewell address written by the sons of Jacob. The words ascribed to Reuben tell his descendants not to be sexually profligate in youth as he had been when he slept with his father’s wife, as he had been struck by an illness and only the prayers of his father had saved him. He continues:

Pay no heed to the face of a woman, nor associate with another man’s wife, nor meddle with affairs of womankind. For if I had not seen Bilhah bathing in a covered place, I would not have fallen into this great iniquity. For my mind taking in the thought of the woman’s nakedness, suffered me not to sleep until I had wrought the abominable thing. For while Jacob our father had gone to Isaac his father, when we were in Eder, near to Ephrat in Bethlehem, Bilhah became drunk and was asleep uncovered in her chamber. Having therefore gone in and beheld nakedness, I wrought the impiety without her perceiving it, and leaving her sleeping I departed.”

There are echoes here of Noah, of Lot and his daughters, of David and Batsheva. But whereas they were not held responsible for their actions, here Bilhah bathed where she could be seen, got drunk, slept in a lewd position and was not even aware of the rape – shades of what used to be called “contributory negligence”.

Rabbinic literature does not only not help Bilhah, but it seems more concerned with protecting the reputation of Reuben, even while explaining why the status that should have been his went to Judah. The Mishnah (Megillah 4:10) suggest that the verse should not be translated when read out in the synagogue, so that the people who did not know Hebrew would not learn about it.  Talmud (BT Shabbat 55b) has R.Shmuel bar Nachman quoting R. Jonathan and saying “Anyone who says that Reuben sinned is wrong, for it is said “now the sons of Jacob were twelve” so all were equal [in sin]..and when bible says he slept with Bilhah the concubine of his father, it means only that he moved his father’s bed without permission and scripture ascribes blame AS IF he had slept with her.” The rabbis are falling over themselves to find Reuben innocent of the terrible act that bible records quite bluntly. They are unaware of either the person or of the plight of Bilhah. How true it is that we don’t notice what is not important to us, but make our world only out of what we see and care about.

Bilhah is the ultimate victim – only her name and those of her two sons are known and recorded. Her life of service begins with being owned by Laban, then Rachel, then Jacob, then Reuben. What else happens to her? Who knows – no one seems to have cared.

Occasionally there is a move towards adding Bilhah and Zilpah to the matriarchs in our prayers. I have always been ambivalent about this, as neither of the women has any relationship with God or prayer that might add to ours. But I am pressingly aware that Bilhah and Zilpah bore and mothered sons to Jacob, they are the ur-ancestors of the twelve tribes just as the ancestors we name. And their story is as much part of our history. A real violence has been done to them – and in particular to Bilhah who is objectified beyond any awareness of her humanity. Her story must once again be told and the gross act of abuse condemned. It is said that the Shechinah weeps over the exile of the children of Israel. The weeping of Bilhah abused at the hands of those same children must also be heard and acknowledged.

Tamar: taking her destiny in her own hands she will enable the messiah. Parashat Vayeshev

judah-and-tamar-chagallInserted into the Joseph narratives that take up much of the last half of the book of Genesis, is a chapter about Judah and about his family. It is also a chapter about the actions of a woman who is determined to right a wrong and how she achieves this goal. Situated as it is so discordantly in the Joseph narrative it is easy to turn the page, to ignore the text as we continue to read about Joseph’s troubles and his subsequent elevation. Because it deals with sexual acts, and with apparent impropriety, it is studied much less than it should be. The lens of the narrator is narrow, detail is sparse, but it is a text worth a great deal of attention, for it reminds us that in bible the women were actors in the story and not observers, they were out in the public space, their behaviour often created pivots in the chronicle. The story of Judah and Tamar shouts out “notice me” – the sons of Jacob are yet again challenged by a woman and this time they cannot cheat her or hide from her or marginalise her. Tamar is a risk taker while all the time behaving within the law. She is a model for modern Jewish women, her story reminds us our destiny is in our own hands.

Judah leaves his brothers and marries a Canaanite woman, the unnamed daughter of Shua, and has three sons: Er, Onan and Shelah.  Without comment from the narrator, time passes and he takes a wife for his first born son -Tamar. What do we know about her? Her antecedents are shrouded in mystery though we may assume that she was also a Canaanite woman. There is one tradition that suggests that she is the daughter of Malchitzedek, King of Shalem and Priest to the Most High God, and certainly she behaves in a way that bespeaks confidence and determination to get her rights fulfilled.

Tamar is married to Er, who was “wicked in the sight of God, and God killed him” (38:8). She was then married to his younger brother Onan, specifically (and anachronistically) for him to perform the act of yevamah, to provide a child who would legally be the child of the dead and childless Er.

But Onan knew that the child would not be formally his, as so when he went to her he deliberately spilled his semen on the ground rather than create a child who would inherit the portion of his dead brother, and the bible tells us “Vayera b’eynei Adonai asher assah vayamet gam oto: The thing that he did was evil in the sight of God, and he killed him too” (v10)

What did Er do that was so wicked he deserved to die? Bible doesn’t tell us. While there is a strand of tradition that suggests that the boys die as punishment for the wickedness of their father, so that he should feel the pain of the death of a child as he had caused his father to feel that grief when he did not protect Joseph, the general consensus of tradition is that the sin must have been Er’s and must have been similar to that of his brother. Hence one Midrash suggests that he did not want Tamar to spoil her beauty by becoming pregnant and therefore his relations with her were designed to prevent pregnancy. This I think tells us much more about the commentators than it does about the text, but the reality is that he does not provide a child for his wife before his sudden death.

Onan’s wickedness however is clear, and it is not the sin that bears his name. It is not the spilling of the seed that was the real problem in God’s eyes, it was the fact that he did not want to give his dead brother a stake in the future, a child who would inherit both the name and the material benefit that would have belonged to Er. He denied his dead brother an heir and he denied his wife the protection that having the child would give her.

What we are told and what we are not told in this text is fascinating. The bible is keen to make sure we know that Judah has left his brothers, that he has built a deep friendship with Hirah an Addullamite (va’yet). It tells us of his Canaanite wife bat Shua and his children with her. It tells us that the action takes place in Chezib – and here is the clue to the whole sorry tale, for the name Chezib comes from the root-verb כזב (kazab), meaning to lie, to disappoint, to fail. As an idiom the word is also used to describe a brook or stream that has dried up – a river that disappoints, rather than one that will provide water. Judah has three sons, and yet the likelihood of his having descendants after them diminishes as the disappointment and the lies build up.

The bible signals that the story is about deceptions and disappointment, and Judah as the fourth son of Jacob and Leah is born into deception and disappointment, even while he will ultimately become the ancestor par excellence, the tribe from whom we will descend.

After the deaths of the two older sons, Judah tells Tamar to “stay a widow in the house of your father until Shelah my son grows up” Assuming the practise of yevamah, this appears to be a reasonable request, though why Tamar is kept in her father’s house rather than that of her in-laws bears further examination. But it seems that he is trying to keep her at a distance, for bible continues that same verse with the words “Lest he also die like his brothers”.

The superstition that a woman who loses more than one husband is somehow responsible is dangerous and a killer of men who come close to her has deep roots. It is a classic example of blaming the victim. Widows were economically and socially vulnerable, classed in bible along with orphans and strangers in the land/refugees. There are many exhortations to protect the widows in biblical texts, but in this story in the first book of Genesis, before Torah had been given and before its challenge to established norms, the superstition drives Judah, and sadly his behaviour means that the idea of the “black widow” has permeated into our awareness too.

Widowed now himself, Judah goes to see his great friend Hirah in Timnah. We do not know how much time has passed but Tamar is able to observe for herself that Shelah has grown up and that he has not been given to her as a husband in order to both provide a child in his brother’s names. Tamar is trapped in a situation that does not allow her to marry within the family of Judah nor to marry anyone else. She must feel desperate.

Judah doesn’t tell Tamar that he is travelling near to where she is. He has left her exiled in her father’s home living as a widow and he seems to have no communication with her, nor any interest in her continued well-being.  Someone unnamed tells her that Judah will be travelling through and Tamar takes her chance.

She removes the widow’s weeds she is wearing and covering herself with her veil she sits “petach Einayim” – which could mean “at the entrance to Einayim” but which also means “at the opening of the eyes”. This is a pivot in the story. There has been up till now lies and deception, the suppressing of the reason that God found Er wicked, the betrayal by Onan of his brother’s rights to the future.   Tamar has been hidden from sight in the household of her father, there is no communication between the two households, she is out of sight and out of mind. But here she is, sitting by the roadway Judah will travel, determined to be noticed, to open Judah’s eyes to the injustice done to her.  Her action is eye opening.

Judah certainly sees her. He notices her. At least, he notices there is a woman there and he makes the assumption that she is a prostitute. And the reason for this? Because her face is covered.  Think about this. He reaches his conclusion that this is a woman available for hire for sexual relief because her face is covered. In today’s world a veiled face is supposed to designate modesty, protecting the beauty of the woman from the crassness of the world – yet here in bible the clear assumption is that the veiled face designates woman only as object. She stops being a person. She doesn’t exist as living breathing yearning thinking woman. She is a prostitute, available for the pleasure of men who pay. There is at least some honesty in this approach – the reality of the woman is unimportant in the world of the biblical text, who she is is irrelevant to the man who buys her. In today’s world of extreme tzniut used to oppress women in some communities, the deception is back. Telling women that their covered state and hiddenness from the public space is a way of increasing their holiness, protecting their modesty etc is a lie to hide the fact that their very self is being controlled by others, to keep them as possessions and as subjects rather than as active and authentic people with their own agency.

Judah is polite, he speaks to her with courtesy, not knowing who she is at all. The same verb is used as with his relationship with Hirah – vayet eleha – he turns to her. This could be the beginning of a real connection, but it is not because he does not see someone with whom connection can be made. He sees only the possibility of a sexual moment and this is what he asks for. So she begins the negotiation “what would you give me in payment for sex?” He offers her a future payment, a young kid from the flock, and she counters with the request for a pledge that she can keep until such time as the payment is made. It seems that Judah is unused to this type of negotiation. He asks her what such a pledge should be and she requests three deeply personal and unique items that will be recognisable and indisputably his.  Having given them to her, they have intercourse and Tamar conceives at last.

The interlude over, she leaves and removing the veil she puts on her widows weeds once again. Judah keeps his promise, sending the animal as promised with Hirah his friend, and expecting the return of his pledge, but she is gone, and when Hirah asks around where the prostitute who had been sitting there was, the response is that there had been no prostitute. This he relays to Judah, who doesn’t seem to be at all perturbed by the woman’s disappearance with his personal possessions, and seems rather to hope that by ignoring what has happened he will escape any shame. But how can he just leave his pledge, his signet, cords and staff, as if nothing has happened?  These days we might call it identity theft, we would desperately search for our missing items and try our best to make good the loss. Judah’s response “tikach la, pen nihyeh lavuz” is more than laconic, it is negligent and it is fearful of any shame attaching to him and his friend. Why?

Three months later the news reaches Judah that Tamar is pregnant, and the assumption is that she has prostituted herself. No communication has happened between the two as yet and when she is brought to Judah in order to be punished by burning, she still does not immediately identify the father by name. Instead there is a sort of choreography – she is brought to the household of Judah from her father’s house. She does not appear to meet Judah, instead she sends the pledged items he had given her and says “Clarify please whose are these tokens? The signet the cords and the staff?” It is of course a rhetorical question but it is a dangerous one. For a man who had been trying to avoid shame, Judah could have taken and sequestered the items. She would have been burned to death along with her unborn children. But instead he acknowledged them and speaks of the justice and rightness of Tamar’s act – she had simply been trying to fulfil the requirement for a child for his two dead sons, and in doing that to protect her own vulnerable situation too.

Like Rebecca, Tamar has twins. Like her too the birth is eventful – the first child puts out a hand and then withdraws it but not before a scarlet thread has been tied around it, the second child is then born, and the elder one is fully born second. Their names are given, but not it seems by Tamar. The elder child is named Zerach which means brightness or shining. The younger is Perez – meaning to burst forth, to breach. There are many echoes of Rebecca here, the colour red, the description of the older child in terms of his appearance and the younger in terms of his actions.  There is a clear subtext that these children were designed to be born, they are necessary in terms of the biblical narrative. They would not have been born had Judah followed his plan to keep Tamar in purdah to protect his one surviving son from what he saw was her danger – a superstition roundly exploded in the story, for Judah is not endangered by his encounter with Tamar.

The story is tidied up – both dead brothers have a child to take their place in history. Tamar does not need to marry again, her status is established. Judah has come to realise that his behaviour was not as righteous as that of his Canaanite daughter in law and has acknowledged this.  But the questions arising from the story only multiply. Why this story at all? Why put it here in the Joseph narratives? Why did the children need to be born?

One question is partially answered in the genealogical line given in the book of Ruth, the Moabite woman who also took her status as childless widow into her own hands and had a child by a family member of her dead husband in order both to honour his future and to protect her own vulnerable status. We will learn from this genealogy that King David will descend from the line of Perez – that both Tamar the Canaanite woman and Ruth the Moabite woman will pivot history in order to bring about the birth of the messianic line.   But why does King David and why will his messianic descendant need to be born of such deceptive sexual encounters orchestrated by the women? This is a question yet to be satisfactorily answered.

Why is it in the Joseph narrative? With the themes of clothing to hide identity, of deception and betrayal, of promises made and not kept and of the painful loss of children, with mis-communication and with the lack of communication, with fear and shame and hopelessness and exile –  there is much to connect these narratives.  But Tamar herself is not echoed in the Joseph stories, except maybe in parody when the wife of his master desires him and lies that he tried to sleep with her. Tamar stands alone in these narratives, a woman who is married twice to unworthy and wicked men yet who retains her own integrity and keeps her eye on the future. Blamed as a husband killer when we know from bible that God kills the men because of their wickedness, exiled to her father’s house and marginalised from the narrative, she uses her marginal status and plays out the scene whereby she becomes not-woman, a body, a prostitute for hire at the roadside, and moves her descendants into the centre of the narrative.

One of my favourite lines of any film comes in “My big fat Greek Wedding”. It tells the story of a woman of Greek descent trying to find herself and her place in society outside her father’s home and the struggles she endures as she grows. Her father makes a decree about her future and she is despondent. Her mother tells her that indeed she must obey, the father is the head of the house. In their culture, his word is law. But the mother goes on to say, the father is the head but the mother is the neck, and the head points whatever way the neck dictates.  It speaks to me of biblical narrative, when the men make the decisions and hold the power, but with great regularity the women subvert that decision making, and from Sarah, Rebecca, Rachel and Leah onwards they gently manipulate in order to produce the desired outcome. The list of these women in bible is long, yet often they escape our attention as they escape the attention of the men with whom they live. Tamar is a rare exception – by getting herself noticed she will disrupt the course of the narrative and change history.

Ki Tavo: creating our own narrative by our own actions. What we do becomes what we are.

“When you enter the land that the Eternal your God is giving you as a heritage, and you possess it and settle in it, you shall take some of every first fruit of the soil, …, put it in a basket and go to the place where the Eternal your God will choose… You shall go to the priest in charge at that time and say to him; “I acknowledge this day before the Eternal your God that I have entered the land that the Eternal swore to our ancestors to assign us.” …. “My father was a fugitive Aramean. He went down to Egypt with meagre numbers and sojourned there; but there he became a great and very populous nation. The Egyptians dealt harshly with us and oppressed us; they imposed heavy labour upon us. We cried to the Eternal, the God of our ancestors, and the Eternal heard our plea and saw our plight, our misery, and our oppression. The Eternal freed us from Egypt by a mighty hand, by an outstretched arm and awesome power, and by signs and portents, bringing us to this place and giving us this land, a land flowing with milk and honey. So I now bring the first fruits of the soil which You, Eternal One, have given me.” ….. And you shall rejoice in all the good which the Eternal your God has given to you, and to your house, you, and the Levite, and the stranger that is in the midst of you. (Deut 26:1–3, 5-10, 26:11)

The commandment at the beginning of the sidra is familiar to us, reminding us to tell our story in such a way that we do not just focus on harvest, or on our good fortune, nor even to tell it while recognising that our good fortune is not simply the result of our own effort, but to create a narrative that puts our experience into the context of the historical experience of the Jewish people.

Telling our story is how all of us make sense of our lives. Each of us has a narrative running through our consciousness, each of us notices most easily what fits into that narrative, manages to ignore that which cannot be meshed into the story.  The theme of these days of preparation for Rosh Hashanah – that of opening and reading to book of our lives, emerges in part from the awareness of the stories we construct about our everyday experience.  But while each of us may be the centre of our own continuous narrative, Jewish teaching does not allow us to become self-absorbed. Instead we are expected to see ourselves as part of a whole that is greater than ourselves. We are part of a people. We live beyond this moment – we live in the span of the whole experience of our people.  And the way we express ourselves religiously is woven into our internal and external narrative. We have to become aware not only of the immanent God with whom we can create some form of relationship of “I – Thou”; The God we worship is the God of history, the God who has no limits of time or space. Ever since we accepted Torah, Jews have been taught to see God at work in the world around us, in the historical experience of our people, and in the humanity of others.

Each of us, like the Israelite farmer bringing his first fruits, is required to tell a story, to render an account – before God and to our innermost selves, of who and what we are – a narrative that explains just what it is that spurs us on to action in this world. In telling his story, that farmer was commanded to look beyond his immediate reality to a vision of what his life was to be about. So, we too, are asked, when telling our story, not to ignore the “real world” but to transcend it, to direct our attention away from the concrete trivialities of our material existence and toward those goals, however exalted and “unrealistic,” that God would have us set for our lives.

The liturgical formula that is preserved in the verses at the beginning of ki tavo is a rare example of the prayer life of ancient Israel.  We use it in a number of settings – from the Pesach Haggadah to the liturgy of bikkurim, and its familiarity speaks to us and reminds us that the story of the redemption from slavery which led to the covenant at Sinai is a foundational one for us as Jews. Without it our stories are in danger of sentimentality. But it isn’t just the words that teach us.  We are moved from words to actions. The ritual begins with our declaration to proclaim our understanding and our faith. Then we go beyond the declaration into action – the tachlis.  Having acknowledged the Source of our blessing – God – and told the story of our own historical vulnerability, remembering our impotence and pain, we go on to do something intensely practical – to share the offering with the Levite/ priest and the ger–“the sojourner/stranger that is in your midst.” (Deuteronomy 26:11)

The ger, (Sojourner/stranger) is almost a synonym for the idea of the vulnerable, the one who does not have land or resource, the one without the support of family or landsmen, the person who is quintessentially alone. Today the closest equivalent is likely to be the refugee or the asylum seeker, washed up without possessions in a foreign environment. Torah requires us not only to acknowledge our own good fortune, but to behave directly out of that acknowledging, to routinely share with those who do not have the same good fortune as us.  The act of thanksgiving commanded at the beginning of the sidra leads us to act even before thinking about the action, getting us to do a good thing, to perform a mitzvah, that will shape our understanding of the world, that will shape us.  The requirement to care for the vulnerable enters into the narrative we live by each day, we cannot disregard it.  It is no surprise therefore that tradition teaches that “In the future age, all sacrifices and prayers will be abolished, except that of thanksgiving”. (Menachem of Gallia, in Vayikra Rabbah 9:7).

In this month of Elul as we approach the High Holy Days and we think about what we have done and what we have not done, what we should do and what we fear we will never do, it is important to remember that these days are the white fast, they are days of Awe but they are also days of thanksgiving for all we have, for knowing that God will not desert us, that God will let us find our way if we search. They remind us that we should not forget our past nor think only of our present. They remind us that we have to find the words to tell the story that is true for us, that gives meaning and shape to our lives. And even before we really understand, we have to act.


Korach: being alongside each other signifies the presence of God. Standing over each other to dominate signifies the end of our purpose

The story of Korach is, at one level, the story of the tension between the individual and the community. Korach gathers together a group of interested parties in order to challenge the authority of Moses and Aaron saying “You have gone too far! For all the community are holy, and the Eternal is in their midst. Why do you raise yourself above the congregation of the Eternal?” (Numbers 16:3)

Two phrases are used in this verse to describe community – kol ha’eidah, and kehal Adonai.  The community is both eidah: a group of people who share the same ‘witnessing’ or belief systems, and kehillah a group of people who assemble together in an organised fashion in order to share certain functions for mutual benefit.

Community has always been of critical importance to us Jews. Isaiah tells us “Ameich kulam tzadikim” and continues “They shall inherit the land for all time.” (Isaiah 60:21) We can read this verse as either “the people are all tzadikim (righteous) ” or that “the people when together, are tzadikim, and will inherit the land….

The former seems unlikely to say the least – indeed in our High Holy Day liturgy right before the vidui (confessional prayer) we actually remind God that we don’t have the right to say we are all tzadikim but ask for God’s mercy in the light of the zechut Avot, the relationship God had with our forebears. The latter – the idea that together we become better than we are individually, is a much more resonant idea for us and is one of the reasons for the obligation for communal prayer in a minyan. We are taught that when we pray together we will be heard, while our individual prayers may not have the power to reach the heavens.

There is a folk story that a young child on first learning the Hebrew alphabet pointed to the letter yod which is much smaller than the other letters, and asked her teacher ‘What is this small mark?’ to be told ‘It is the letter yod.’

Then she pointed to two yods written together and asked what they signified to be told that when the two small letters were written together, it was to indicate the reader must understand the particular name of God was being pointed to.

Fascinated, the child looked very carefully in the Chumash to find other examples of these two marks together, to see again the name of God, and then found that occasionally the two letters yod could be found one on top of the other. The teacher told her “this is a sign to mark the end of the sentence” “But they look so similar” said the child, “how do I know which is which?” And she was told “no, they are very different. For when the two sit next to each other as equals, they are the Name of God. When one stands over the other and dominates it, then they are not the Name of God and everything comes to an end.’

Isaiah speaks of a collective righteousness that depends on us being alongside each other, maintaining our equality and creating community. The folk story reminds us that if we don’t do this, but instead put ourselves over the other, dominate or suppress or even just not notice them as being people too, then the logical conclusion is that our history and being will come to an end.

Interestingly it is clear that Korach knows at some level the importance of communal activity. The two phrases he uses here for community – kol ha’eidah – the shared nature of our beliefs, and kehal Adonai – the shared nature of our activities which bring mutual benefit, remind us that we create community together based on shared purpose and values and that we must organise so that all of us are part of something greater than our individual desires. Korach failed because he wanted something more for himself than for the good of the community. He did what he had accused Moses of doing and set himself above the community rather than alongside it. We create community by working with each other, not through a set of top down policies. And if we address the needs of each other with compassion and care, we create a community that will last. Otherwise, when one stands over the other and dominates it, then we no longer represent the Name of God and everything comes to an end.’